3-b_Exhibit 1 - Historic Preservation Guidelines DRAFT (red)
Extracted text (via pymupdf)
170285 characters
P R EPARE D BY T HE C IT Y O F ME SA HISTORIC PRESERVATION DESIGN GUIDELINES Sirrine House • 160 N Center St. D E S I G N G U I D E L I N E S - C H A P T E R 1 2 Mesa Historic Preservation Board James Babos, Chair (2020 - Present) Jocelyn Skogebo, Vice Chair (2021 - Present) Bruce Nelson (2022 - Present) Jason Ludwig (2025 - Present) Jeff Welker (2026 - Present) Sarah Prince (2026 - Present) BJ Parsons (2022 - 2026) Jessica Sarkissian (2023 - 2026) Ty Utton (2023 - 2025) Russ Haughey (2022 - 2023) Brandon Benzing (2016 - 2023) Barbara Bingham (2019 - 2023) City Staff Nana Appiah, Development Services Director Matthew Kriegl, Historic Preservation Officer Meg Eaton, City Archaeologist Mary Kopaskie-Brown, Planning Director Rachel Nettles, Assistant Planning Director Kellie Rorex, Senior Planner Noah Bulson, Planner I Brett Hanlon, Principal Planner Michelle Dahlke, Principal Planner Maura Jackson, Historic Preservation Planner Arianna Urban, Historic Preservation Planner Melissa Canez, Admin Support Assistant I ACKNOWLEDGMENT S Mesa City Council Mark Freeman, Mayor Rich Adams (District 1) Dorean Taylor (District 2) Francisco Heredia (District 3) Jenn Duff (District 4) Alicia Goforth (District 5) Scott Somers, Vice Mayor (District 6) John Giles, Former Mayor Photos All images are courtesy of the Lakota Group and the City of Mesa unless otherwise noted. Consultant Funding The creation of this document has been supported in part with funds from the National Park Service, U.S. Department of Interior, administered by the Arizona State Historic Preservation Office, a division of Arizona State Parks and Trails. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 3 TABLE OF CONTENT S CHAPTER 1: INTRODUCTION.................................................................................................. CHAPTER 2: CERTIFICATES OF APPROPRIATENESS......................................................... CHAPTER 3: GUIDELINES FOR PRESERVATION, RESTORATION & REHABILITATION.... CHAPTER 4: GUIDELINES FOR ADDITIONS........................................................................... CHAPTER 5: GUIDELINES FOR NEW CONSTRUCTION...................................................... CHAPTER 6: GUIDELINES FOR HISTORIC SIGNAGE.......................................................... CHAPTER 7: MESA'S HISTORIC & ARCHITECTURAL CONTEXT........................................ APPENDIX................................................................................................................................. 05 09 17 31 39 45 51 69 Downtown Mesa Mural at 47 W Main St. D E S I G N G U I D E L I N E S - C H A P T E R 1 4 Living Document Preface Like all cities, Mesa faces balancing growth, changing community values, and gaining new understandings of significance. Similarly, preservation practices, standards, and historic designations evolve as well. The format of these guidelines is designed to be open-ended, allowing new revisions and additions to be made as new architectural styles, construction and preservation methods, and neighborhood situations are encountered. The Mesa Historic Preservation Design Guidelines are created to encourage the preservation and thoughtful stewardship of the City's historically significant resources while recognizing the need for their continued adaptation, maintenance, and improvement. By promoting appropriate historic property treatments, these guidelines help to preserve the historic integrity, community character, and unique sense of place that define Mesa's historic neighborhoods and historic places. They also support long-term investment in Mesa's historic resources by providing clear expectations and encouraging appropriate projects. The Historic Preservation Design Guidelines provide a framework for preservation decisions for the Historic Preservation Office, the Historic Preservation Board, the Planning and Zoning Board, the Mesa City Council, and property owners. Historic Preservation Guidelines included in this document are the tools by which the Historic Preservation Office and the Historic Preservation Board evaluate proposed projects involving properties that are locally designated with a Historic Preservation (HP) overlay or Historic Signs listed on the Mesa Historic Sign Register. These guidelines are intended to ensure that projects are compatible with the historic character and integrity of historic resources and help provide a fair, predictable, and efficient design review process for all applicants. CHAPTER 1: INTRODUCTION Strauch Fuller House • 148 North Macdonald D E S I G N G U I D E L I N E S - C H A P T E R 1 6 This document provides guidance for planning, designing, and undertaking improvements to historic homes, buildings, sites, structures, and signs in Mesa. These guidelines accompany and supplement the historic preservation regulations found in the Mesa Zoning Ordinance and establish a basis for determining the appropriateness of construction projects proposed for locally designated historic resources. This document will: • Assist City staff and the Historic Preservation Board in decision-making. • Support appropriate changes that are compatible with the distinctive character of historic resources. • Help identify and resolve specific design concerns frequently raised in historic districts. Purpose • Assist the local building industry, including architects, contractors, and suppliers, as well as City officials such as building inspectors and utility providers, in understanding the nature of historic areas and how to reinforce their special character. • Improve the design quality of future developments within historic districts and ensure growth remains consistent with the district's historic character. • Protect current property values and public investment in historic districts and landmarks by discouraging poorly designed and inappropriate projects. • Increase the overall public awareness of the unique character of Mesa’s historic resources. • Provide background information on the architectural history of Mesa, including designated historic districts and landmarks. 855 E 2nd St. • Fraser Fields Historic District 7 M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S HOLDER TEXT NEW IMAGE HERE 59 E 1st St. • The Studios at Mesa City Center Design Review Guidance City staff and the Historic Preservation Board can use these guidelines when conducting historic reviews, when evaluating projects with the potential to be historically designated, and as a tool to communicate with applicants the treatment options that are compatible with their historic resource. Preparing for Property Improvements Property owners, designers, and contractors are encouraged to draw upon the principles set forth in these guidelines when planning improvements within historic neighborhoods or to a historic property. Supporting Community Character These guidelines help preserve the architectural character, historic integrity, and unique sense of place that make Mesa's historic neighborhoods distinctive. By encouraging compatible improvements and providing clear expectations, they support long-term investment in historic resources and protect property values. When Should This Document Be Used? Using the Guidelines This document contains guidance on appropriate treatments for Mesa’s historic properties and direction for achieving historic standards. While it attempts to cover multiple scenarios, it is best to consult with the Mesa Historic Preservation Office and the current Building Code for information pertaining to specific properties prior to beginning a project. Guidance for signage is also detailed, including both historic signs and signs on historic buildings. The design guidelines are intended to help property owners, designers, and contractors evaluate what is, or is not, appropriate before bringing plans to the Historic Preservation Office or the Historic Preservation Board for review or approval. Chapters 1 through 7 include technical guidance for projects related to historic resources in Mesa, while the appendices that follow provide additional context for those who wish to learn more. Hyperlinks have been included throughout for easy navigation. D E S I G N G U I D E L I N E S - C H A P T E R 1 8 8 THIS PAGE INTENTIONALLY LEFT BLANK 9 HOLDER TEXT FOR CAPTION CHAPTER 2: CERTIFICATES OF APPROPRIATENESS Spangler-Wilbur House • 128 North Macdonald D E S I G N G U I D E L I N E S - C H A P T E R 2 1 0 NATIONAL REGISTER OF HISTORIC PLACES AND THE MESA HISTORIC PROPERTY REGISTER The National Register of Historic Places is the official list of the nation’s historic places worthy of preservation. Listing in the National Register of Historic Places is an honorary recognition and generally places no restrictions or obligations on private property owners. The Mesa Historic Property Register is a local program that designates historic resources within Mesa. Properties on the Mesa Historic Property Register require a Certificate of Appropriateness (COA) before beginning exterior work on their properties. For more information regarding National and Local designation, please see Appendix A. Additions, new construction, rehabilitation work, and/ or proposed changes or alterations to these locally designated historic resources will require a COA; ordinary maintenance and repair, in-kind replacement, and interior work do not require a COA. COA Review Process A Certificate of Appropriateness (COA) is a review process used to ensure that proposed exterior changes to locally designated historic resources are consistent with Historic Preservation Design Guidelines. The process helps preserve the character-defining features and historic integrity of properties, signage, and/or districts while allowing for appropriate alterations, additions, repairs, and new construction. Mesa Historic Property Register The Mesa Historic Property Register is the official record of locally designated historic resources in the City of Mesa. Some properties may be listed in the Mesa Historic Property Register and the National Register of Historic Places, while others may only be listed in one register. Only those that are listed in the Mesa Historic Property Register have a Historic Preservation Overlay requiring a COA. Work involving not yet listed historic resources should conform with these guidelines, and property owners are encouraged to work with the Mesa Historic Preservation Office. CONTRIBUTING AND NONCONTRIBUTING HISTORIC RESOURCES Individual properties either contribute or do not contribute to a district’s historic and architectural significance. Generally, contributing resources are buildings, sites, and structures 50 years of age or older that maintain architectural integrity and character. Noncontributing resources are typically those that are less than 50 years old, or where historic integrity is significantly compromised. All projects within local historic districts are reviewed to ensure that the historic character of the district is maintained. Historic Preservation Overlay All historic resources with a Historic Preservation Overlay, including properties within locally designated historic districts and locally designated historic landmark sites, are subject to design review by the Mesa Historic Preservation Office. All properties within a Historic Preservation Overlay are listed on the Mesa Historic Property Register. What is Subject to COA Review? A COA is required for all exterior work that will result in material changes that may alter, diminish, eliminate, or affect the historic character of the following: • Resources within a Historic Preservation Overlay • Historically Designated Signs M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 1 1 Relationship with City Code To protect the irreplaceable architectural character of Mesa’s historic resources, the City Council adopted Historic Preservation Overlay and Historically Designated Sign procedures found in the Mesa Zoning Ordinance. With the support of stakeholders, these historic preservation design guidelines were created to supplement the historic preservation procedures found in the Mesa Zoning Ordinance, Building Code, and other applicable regulations. In instances where there are inconsistencies between the City Code and these design guidelines, the standards of the Mesa City Code will apply. West 2nd St. Historic District • 100 Block of North Macdonald Historically Designated Signs Historic signs may be eligible for inclusion on the Mesa Historic Sign Register as a Historically Designated Sign. This designation recognizes Mesa's historic character through the preservation of its distinct, colorful roadside historic signage. To be on the Mesa Historic Sign Register, a sign must be at least 50 years old and retain an appearance that has remained substantially the same as its historically significant period. Upon designation, a Historically Designated Sign needs to be maintained, modified, or repaired consistent with the Historic Preservation Board’s findings and conditions of approval. Modifications to historic signs on the Mesa Historic Sign Register require a COA. D E S I G N G U I D E L I N E S - C H A P T E R 2 1 2 COA Review Procedures Once the City of Mesa receives a complete COA application, the Historic Preservation Office will have 10 working days to approve the application, request revisions, or deny the application with explanation (Fig 2.1). Applicants may appeal COA decisions to the Historic Preservation Board. Examples of Alterations Subject to COA Review: • Additions • Awnings or canopies • Carports and garages • Decks • Detached accessory buildings or structures • Doors and door frames • Driveways • Exterior walls and fencing • Fire escapes, exterior stairs and elevators, and ramps • Parapet walls • Pool and pool cages • Exterior painting of historically unpainted surfaces • Porch and balcony railing or decorative detailing • Roofs and skylights • Windows and window frames • Siding • Signs For questions regarding historic preservation and COAs, please contact the Mesa Historic Preservation Office: 55 N Center St., Mesa, AZ 85201 historicpreservation@mesaaz.gov 480.644.4726 How to Apply for a COA Prior to submitting a COA application, it is recommended that applicants meet with the Historic Preservation Office to discuss project details. The Historic Preservation Office can assist in identifying if your property is within a Historic Preservation Overlay or includes a Historically Designated Sign, provide guidance for projects to meet approval criteria, and support you through the COA application process. Applications may require a project narrative, site plan, drawings, photographs, property owner authorization, and other information reasonably necessary to review the proposed work. COA applications can be completed online by 'Creating a Planning Application' here. 555 N Robson • Evergreen Historic District M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 1 3 Figure 2.1 COA Review Process D E S I G N G U I D E L I N E S - C H A P T E R 2 1 4 The National Historic Preservation Act of 1966 authorized the Secretary of the Interior (through the National Park Service) to establish standards for preserving historic properties. The current version, the U.S. Secretary of the Interior’s Standards for the Treatment of Historic Properties, was adopted in 2017. These standards outline four treatments for historic properties: preservation, restoration, rehabilitation, and reconstruction. Rehabilitation is the most commonly used approach, allowing alterations to meet new uses while maintaining the building's historic character. Secretary of the Interior’s Standards for the Treatment of Historic Properties REHABILITATION Act or process of making possible a compatible use for a property through repair, alterations, and/ or additions while preserving those portions or features which convey its historical, cultural, or architectural values. Local preservation guidelines often follow these standards, especially for rehabilitation projects. Property owners should consult with the Mesa Historic Preservation Office to determine the most appropriate treatment for their project. Standards for Rehabilitation 1. A property will be used as it was historically or be given a new use that requires minimal change to its distinctive materials, features, spaces, and spatial relationships. 2. The historic character of a property will be retained and preserved. The removal of distinctive materials or alteration of features, spaces, and spatial relationships that characterize a property will be avoided. 3. Each property will be recognized as a physical record of its time, place, and use. Changes that create a false sense of historic development, such as adding conjectural features or elements from other historic properties, will not be undertaken. 4. Changes to a property that have acquired historic significance in their own right will be retained and preserved. 5. Distinctive materials, features, finishes, and construction techniques or examples of craftsmanship that characterize a property will be preserved. 6. Deteriorated historic features will be repaired rather than replaced. Where the severity of deterioration requires replacement of a distinctive feature, the new feature will match the old in design, color, texture, and, where possible, materials. Replacement of missing features will be substantiated by documentary and physical evidence. PRESERVATION Ongoing maintenance and repair of historic materials and architectural features rather than extensive replacement and new construction. RESTORATION Reinstatement of a historic building’s original appearance and condition to a particular time period using documentary evidence, such as photographs and construction drawings. RECONSTRUCTION New construction that interprets a missing or lost historic resource based on documented evidence of what was there historically. The Secretary of the Interior’s Standards for the Treatment of Historic Properties — in particular, the Standards for Rehabilitation — serves as a base set of preservation standards for the City of Mesa’s Historic Preservation Design Guidelines. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 1 5 Mesa Woman's Club • 200 N Macdonald 7. Chemical or physical treatments, if appropriate, will be undertaken using the gentlest means possible. Treatments that cause damage to historic materials will not be used. 8. Archaeological resources will be protected and preserved in place. If such resources must be disturbed, mitigation measures will be undertaken. 9. New additions, exterior alterations, or related new construction will not destroy historic materials, features, and spatial relationships that characterize the property. The new work will be differentiated from the old and will be compatible with the historic materials, features, size, scale, and proportion, and massing to protect the integrity of the property and its environment. The City of Mesa has adopted the historic preservation guidelines and standards for properties in Historic Preservation Overlays (Chapters 3, 4, and 5) and for historic signs (Chapter 6), based on the Secretary of the Interior’s guidelines and National Park Service Preservation Brief No. 25. The review standards for a Certificate of Appropriateness (COA), based on the Standards for the Treatment of Historic Properties, are in Appendix B, while additional educational resources can be found in Appendix A. 10. New additions and adjacent or related new construction will be undertaken in such a manner that, if removed in the future, the essential form and integrity of the historic property and its environment would be unimpaired. D E S I G N G U I D E L I N E S - C H A P T E R 3 1 6 THIS PAGE INTENTIONALLY LEFT BLANK 1 7 CHAPTER 3: GUIDELINES FOR PRESERVATION, RESTORATION & REHABILITATION 730 S Edgewater Dr. • Golden Hills D E S I G N G U I D E L I N E S - C H A P T E R 3 1 8 This chapter outlines general principles and best practices to assist property owners, architects, landscape architects, and contractors as they plan for preservation, restoration or rehabilitation projects. These principles and guidelines are meant to help avoid rehabilitation pitfalls, prioritize essential tasks, support Certificate of Appropriateness approvals, and achieve desired design results. It is recommended that property owners also consult with the Mesa Historic Preservation Office to best assess which of these treatment options are best suited for their project. In addition to the Secretary of the Interior’s Standards for the Treatment of Historic Properties, preservation, restoration, and rehabilitation projects should follow the principles outlined below. Principles for Preservation, Restoration & Rehabilitation Principle #1: Conduct routine inspections and maintenance to ensure long-term preservation of buildings and building materials. Property owners should conduct yearly inspections of their buildings to determine and prioritize maintenance projects, especially projects related to roofs, gutter systems, and foundations where water infiltration can damage building materials, walls, and other features. Proper maintenance and cleaning using the gentlest means possible can avoid more costly repairs over the long term. Ensure no maintenance project harms, damages, or alters historic building materials. Principle #2: Preserve original and historic materials over replacement. Preserving original and historic building materials and architectural features serves to maintain a historic building’s authenticity and character. It also helps to reduce demolition and debris waste from entering the landfill. Replacement of materials and features should only occur upon significant evidence of deterioration that compromises structural integrity. Implement in- kind material replacement first before considering appropriate substitutes compatible in size, form, profile, texture, and durability. Principle #3: Undertake project planning and seek professional consultation when necessary. The maintenance and repair of historic building materials, such as brick and stucco, and important architectural features, including roofs, porches, and foundations, often requires the assistance of professional contractors and craftspeople. Building owners should not hesitate to employ architects and other design professionals in the proper planning for preservation and rehabilitation efforts. Principle #4: Respect changes over time. Some building materials and architectural elements may not be original to the building but have achieved their own significance and value over time. Respect, preserve, and rehabilitate those changes or alterations if they contribute to a building’s history, character and authenticity. Principle #5: Recognize all buildings are products of their own time. Each building is a record of its time, documenting the social, cultural, and economic forces that shaped the development of communities, districts, and neighborhoods. Avoid any changes or alterations that create a sense of false history. 144 N Wilbur • Glenwood-Wilbur Historic District Original materials and architectural features should be preserved to maintain a building's character. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 1 9 3.1 Character Defining Features Character defining features help convey the historic and architectural significance of historic properties and should be preserved (Fig 3.1). 3.1.1 - Maintain character defining features • Distinctive materials or character-defining features should not be removed. • Changes to spaces and spatial relationships that characterize a property will be avoided. • Maintain character-defining landscaping, including but not limited to materials, location and size. If significant vegetation is removed, replacement may be required. • Do not add features that were not part of the historic structure. 3.1.2 - Repair, rather than replace character- defining features • Where the severity of deterioration requires replacement of a distinctive feature, the new feature will match the old in design, color, and texture. • Use the same material as the historic feature. An alternative material may be considered if it has a size, shape, texture and finish that conveys the visual appearance of the historic feature, or is located in a place that is hidden from view. Figure 3.1 Examples of Character Defining Features S H U T T E R S C O V E R E D V E R A N D A S A T T A C H E D G A R A G E S P O R C H K N E E W A L L S R O O F F O R M S W I N D O W S E X T E R I O R M A T E R I A L S C O L U M N S D O O R S Guidelines for Preservation, Restoration & Rehabilitation Examples of character defining features: 454 E 1st Ave. • Temple Historic District The roof form, dormer vent, brick façade, bay window, and chimney are character defining features of this house. 855 E 2nd St. • Fraser Fields Historic District The roof form, ribbon windows, and exterior materials are character defining features of this house. D E S I G N G U I D E L I N E S - C H A P T E R 3 2 0 3.2 Materials and Finishes Historic materials should be preserved in place. If the material is damaged, repair should first be considered. If repair is not feasible, the limited replacement of a material that matches the historic material should be considered. Historic building materials should never be covered or subjected to harsh cleaning treatments. 3.2.1 - Building Material Maintenance • Protect historic building materials from deterioration. • Do not remove historic materials that are in good condition. • Do not use harsh cleaning methods, which can inhibit the function and/or appearance of the historic material. 3.2.2 - Material Repair and Replacement • Repair rather than replace original materials when possible. • Repair deteriorated building materials by patching, piecing-in, consolidating, or otherwise reinforcing the material. • Replace only those materials that are deteriorated, and beyond reasonable repair. • Replace only the amount of material that is beyond repair. • Use only replacement materials that are similar in scale, finish and character to the historic material. • Do not replace building materials, such as masonry and wood siding, with alternative or imitation materials, unless no other option is available. The Dutchman repair method allows for installation of new wood while preserving the historic wood. Adobe, one of the oldest building materials found in Mesa, is most commonly seen on Pueblo Revival architecture. Typical historic masonry materials in Mesa include concrete block and brick. Pictured is decorative brick, known as raked header bond pattern. Stucco is a common historic material on many of Mesa's residential dwellings. Regular maintenance of wood siding prevents deterioration over time. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 2 1 Lehi Brick Kiln Company Founded by George Mason Tiffany in the 1880s, the Lehi Brick Kiln Company met the need for a more durable building construction material for the fledgling Lehi and Mesa settlements, becoming the leading local brick manufacturer by the turn of the 20th century. The Kiln Company’s bricks helped construct several of Mesa’s earliest buildings, including many commercial buildings along Main Street and the still-standing Church of Jesus Christ of Latter-day Saints (LDS) Temple. Since the Company fired the bricks at a low temperature, they are generally softer in strength and composition and therefore require special care in their maintenance, repair, and preservation. Avoid using any harsh and abrasive cleaning methods, as well as any hard or Portland cement- based mortar when repointing. Superlite Block Company Manufactured by the Superlite Block Company, the Superlite concrete masonry unit (CMU) was used in the construction of many homes throughout the Phoenix area during the mid-20th century. Founded in 1944 as the Builders Supply Corporation, the name was officially changed to Superlite Block Company around 1960. Superlite CMUs, including concrete breeze blocks, are a combination of sand, Portland cement, and volcanic scoria, mined in Winona, Arizona. In addition to its use as a structural and finish material, Superlite created decorative blocks, popular in the 1950s and 1960s, with see-through patterns used in block fence walls, as building screens, and as sunscreens near entryways. Many Mid-Century Modern and Ranch houses, as well as commercial and institutional buildings in Mesa feature Superlite CMU construction. The Sirrine House, located at 160 N Center St. within the West 2nd St Historic District, is constructed of Lehi Brick. D E S I G N G U I D E L I N E S - C H A P T E R 3 2 2 3.3 Windows Windows, window openings, and window elements are primary architectural features and dominant visual features of historic buildings (Fig 3.2). Historic windows are representative of a building’s craftsmanship and design, making them worthy of preservation. Historic windows are made primarily of wood or metal (aluminum or steel) and come in various configurations such as single- or double-hung sash windows, single- or multi-light fixed picture windows, casement windows, and awning windows (Fig 3.3). Typcially, windows located on a historic building’s facade have more formal window pattern arrangements and are generally constructed of more durable, long- lasting materials and of higher quality than modern replacements. 3.3.1 - Window Preservation • Retain and preserve all historic wood and steel windows, including their size, glazing, opening size, and configurations, location, and materials. Figure 3.3 Window Types D O U B L E H U N G C A S E M E N T 3 L I G H T 2 L I G H T ( V ) 6 L I G H T 2 L I G H T ( H ) 8 L I G H T 1 L I G H T Figure 3.2 Common Window Elements H E A D J A M B U P P E R S A S H S T I L E P A N E L O W E R S A S H A P R O N E X T E R I O R S I L L M U N T I N 151 N Wilbur • Glenwood-Wilbur Historic District Avoid removing original or historic windows. 106 N Fraser Dr • Fraser Fields Historic District This house retains its historic windows. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 2 3 Figure 3.4 Appropriate Window Replacement O R I G I N A L ( 3 / 1 ) I N A P P R O P R I A T E R E P L A C E M E N T ( 6 / 6 ) I N A P P R O P R I A T E R E P L A C E M E N T ( A L U M I N U M S L I D E R ) 3.3.2 - Window Maintenance and Repair • The number, size, and location of windows should be preserved. Filling in or covering existing windows should be avoided. • Preserve all historic window features including the frame, sash, muntins, mullions, glazing, sills, heads, jambs, moldings, shutters, and window pane configurations. • Restore altered window openings to their historic configuration. • Do not alter a window frame to accommodate an air conditioner unit on the primary elevation. • If necessary, install interior storm windows to preserve exterior appearance. • When interior storm windows are not feasible, exterior storm windows may be appropriate. 3.3.3 - Window Replacement or Reflective Film • If window replacement is necessary, new windows should match the originals in materials, style, configuration, and dimensions (Fig 3.4). • When a window is damaged beyond repair, modern replacements may be appropriate. • Maintain the historic size, shape, and number of panes. • Match the profile of the sash, muntins, and its components to the historic window, including the depth of the sash, which may step back to the plane of the glass in several increments. Historic windows were typically inset (while modern windows are flush mount), and this is considered a character-defining element of historic buildings. • The use of interior muntins (window divides located between the glass) is not appropriate. • The use of vinyl and unfinished metals as window replacement materials should be avoided. • The use of metallic or reflective window glazing or film is not appropriate. • Reducing or increasing a historic opening to accommodate a different sized window is not appropriate and should be avoided. Irving School • 155 N Center St. Windows maintain historic features, size, shape, and number of panes. D E S I G N G U I D E L I N E S - C H A P T E R 3 2 4 Figure 3.5 Common Door Elements 3.4 Doors and Entries Doors, door openings, and door surrounds help to convey the overall proportion, scale, and character of a particular property or architectural style. The design, materials, and location of historic doors and entries should be preserved. 3.4.1 - Entrance Maintenance and Repair • Maintain and repair original doors rather than replace when possible. • Preserve historic and decorative features, including door frames, sidelights, sills, heads, jambs, moldings, detailing, panels, mullions, etc. (Fig 3. 5). • Do not alter the historic size and shape of a door opening. T O P R A I L P A N E L L O C K R A I L M U L L I O N S T I L E B O T T O M R A I L M O L D I N G S I D E L I G H T S S I L L F R A M E 3.4.2 - Entrance Replacement • When a door is damaged beyond repair, replacement doors should match the original in dimension, materials, and design. • Do not change the historic location of or add new door openings on primary façades. • Do not fill in or cover historic door openings. 3.5 Porches A porch is one of the most important character- defining features of a façade. A porch provides visual interest to a building and shelter from the elements. Additionally, porches help define building scale and establish a social hierarchy of space from the street to the interior of a house. 3.5.1 - Preserve Original Porches • Do not remove an original porch from a building. • Porches should be preserved in their original character and form. • Preserve the existing height, location, shape, details, and posts. • Replace missing features and repair damaged features to match existing historic features. 560 N Emerson The sidelight adjacent to the door is a significant architectural feature and should be preserved. 146 N Fraser • Fraser Fields District Original and historic doors help to convey the style of the house, like in this mid-century example. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 2 5 3.5.2 - Porch Replacement • When porch reconstruction or replacement is necessary, it should be similar in character, design, scale, and materials to those traditionally seen in the building's architectural style. • Design a replacement porch to be appropriate in relation to the overall scale and architectural style of the primary structure based on historic photographic evidence or other documentation (Fig 3.7). • Porches should not be added to a primary façade based on conjecture or if one was not historically present. Figure 3.6 Common Porch Elements P O R C H R O O F B A L U S T E R T O P R A I L P O S T / C O L U M N D R O P B E A M Figure 3.7 Porch Scale and Form • Maintain the overall composition when replacing damaged or missing porch elements (Fig 3.6). • Do not add ornamentation or decoration to a porch if it was not historically present or if the element is inconsistent with the style of the building. Porches should be compatible in size and scale with the primary structure. Examples of historic porches throughout Mesa: 124 W 1st St. • West 2nd Street Historic District 205 S Mesa Dr. • Temple Historic District 236 N Robson • Robson Historic District 234 N Fraser Dr. • Fraser Fields Historic District D E S I G N G U I D E L I N E S - C H A P T E R 3 2 6 Figure 3.9 Common Roof Elements E A V E H I P P E D E N D D O R M E R R I D G E / R O O F L I N E S O F F I T F L A T R O O F G A B L E R O O F H I P 3.6 Historic Roofs The roof is among the most visually prominent features of a house and helps to define its architectural character. The great variety of roof shapes, forms, and materials found in Mesa, along with elements such as chimneys, turrets, crestings, and dormers, gives the City's historic districts and neighborhoods great visual interest (Fig 3.8). 3.6.1 - Roof Repair and Replacement • Preserve the form, materials, and features of an original historic roof. • Maintain the ridge line and orientation of the roof as seen from the street. • Maintain existing roof overhangs because they contribute to the building’s historic character and scale. • Avoid altering the angle (pitch/slope) of a historic roof. • Do not cut back or alter exposed roof rafters and soffits that contribute to the building’s historic character and scale. • Preserve functional and decorative roof features, including original dormers, chimneys and eaves, especially when they are character- defining elements of the structure (Fig 3.9). C H I M N E Y 549 N Robson • Evergreen District The prominent stone chimney is a significant architectural feature on this house. 2230 E Grandview St. • Robert Scott House The hipped roof with deep eaves is an important visual element of this historic home. 460 N Grand • Evergreen District This example retains its historic tile roof. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 2 7 G A B L E F R O N T C R O S S G A B L E S A L T B O X G A B L E A N D E L L S I D E G A B L E C R O S S H I P F L A T R O O F W I T H P A R A P E T S H E D H I P R O O F H I P / P Y R A M I D A L H I P / P Y R A M I D A L D U T C H G A B L E Figure 3.8 Roof Forms D E S I G N G U I D E L I N E S - C H A P T E R 3 2 8 3.9 Painting Historic Buildings Historically, wood surfaces on the exterior of a building were painted to protect them from weathering. Concrete and stucco surfaces were sometimes painted as well. Some paints or sealers advertised as water- repellent, waterproof, or maintenance-free can damage historic houses by trapping moisture inside the walls. These products should not be applied to historic building materials. • Painting unpainted brick is not permitted without a COA, as doing so can cause damage by trapping moisture inside the brick and lead to severe structural deterioration. • The natural color and texture of masonry are character-defining features which would be covered by paint. • Previously painted masonry and all non-masonry surfaces can be painted without a COA. 3.7 Exposed Foundations A historic building foundation contributes to the character of a historic structure and should be preserved. Altering or replacing historic foundations is discouraged. However, it may be necessary to replace historic foundation walls with compatible materials where a historic foundation is deteriorated beyond repair. 3.7.1 - Foundation Repair and Replacement • Repair and rehabilitate exposed foundations in order to maintain a building’s structural integrity. • Re-point historic masonry foundations to match the historic design. Use historically sensitive and compatible mortar on brick foundations (and/or facades) or concrete mortar on brick foundations (or facades). Avoid hard masonry cements or concrete. • Design landscaping and other site features to keep water from collecting near the foundation. • Do not cover a historic foundation with newer siding material. • Avoid installing windows, window wells or an access door on the front facade of a historic foundation. • Replace a foundation using new material that is similar in character to the historic foundation. 3.8 Carports and Garages 3.8.1 - Carport and Garage Preservation • Preserve and maintain historic carport and garage elements and architectural features, including garage doors, walls and wall materials, piers, posts, detailing and ornamentation, soffit or fascia vents, and roof and roof shape. 3.8.2 - Carport and Garage Repair and Replacement • Replace garage and access doors with ones that are appropriate to the style of the house and with similar in-kind materials. 541 N Grand • Evergreen District The foundation wall shown here uses different materials to visually distinguish it from the main wall. 437 N Macdonald • Evergreen District Carports, like the one shown here, are common architectural features in Mesa's historic districts. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 2 9 3.10 Landscaping and Fences Landscape design elements incorporate both the public and private realms in historic districts and sites, including large mature trees, tree-lined streets and medians, street lighting, sidewalks, paths, driveways, front lawns, gardens and plantings, fences, and other yard features. Landscape preservation and rehabilitation serve to maintain and enhance the character and authenticity of Mesa's historic neighborhoods and districts. 3.10.1 - Landscape Maintenance and Replacement • Maintain and preserve existing character- defining landscape elements, including mature trees, whenever possible. • New landscaping should be installed to complement the existing character of the house. • Do not replace front lawns with impervious hardscape materials. • Installation of artificial turf in areas visible from the street should be avoided. • Use native or desert plants and xeriscaping techniques where appropriate to reduce the need for irrigation. Select plant materials with character, growth, and habitat requirements similar to others found in the neighborhood. 3.10.2 - Fence and Wall Maintenance and Repair • Maintain original or historic walls, specifically those constructed of decorative concrete masonry units or from breeze block. • Replace damaged elements with in-kind materials. Historic fences and walls, like these examples above, should be maintained and repaired. 100 block of N Robson • West 2nd Street Historic District This tree-lined median is a significant character-defining feature of the West 2nd Street Historic District. D E S I G N G U I D E L I N E S - C H A P T E R 3 3 0 THIS PAGE INTENTIONALLY LEFT BLANK 3 1 CHAPTER 4: GUIDELINES FOR ADDITIONS 416 E 1st Ave • Temple Historic District D E S I G N G U I D E L I N E S - C H A P T E R 4 3 2 Design guidelines require interpretation and good judgment to ensure that the proposed project is compatible with the context area. Each project is considered on its own merits; even if the same addition were proposed for similar properties within the historic district, differences in the existing structures and the context areas for those various locations could result in different decisions regarding compatibility. Because contributing structures are the most important buildings in the historic district, they must remain prominent. That means that an addition should be visually subordinate, or secondary, to the original contributing building. This can be achieved by limiting the addition’s size, visibility from the street, and the complexity of its design. Additions to noncontributing structures are also required to be compatible with the scale and proportion of the contributing buildings in the context area. This applies to the building overall, as well as to individual building elements. Principles for Additions Additions in historic districts should be designed carefully with the following considerations in mind: Principle #1: Ensure the integrity of existing historic buildings when considering new additions. Any new addition must respect and be harmonious with a historic building’s materials, features, size, scale, proportion, and siting to preserve and maintain its historic and architectural integrity. New additions shall not destroy historic building materials that characterize the historic property. The use of complementary, but different, materials is the preferred way to visually contrast additions from original construction. New additions must differentiate from the historic building so that the building’s architectural change and evolution over time is visible. Principle #2: Promote new addition design reflective of its time. Additions should be of their time and not project a sense of false history with replicated features and ornamentation of past historic architectural styles. Instead, historic styles may inspire or provide identifiable design cues for additions. Principle #3: Use contemporary materials and design creativity for additions. When designing additions, use contemporary building materials and architectural detailing in creative ways that convey the dwelling or building is of new construction. This construction may incorporate abstract references to the architectural styles and building types that are compatible within its immediate setting or neighborhood. Principle #4: Design additions without damaging historic materials. Design and undertake any additions to historic buildings in historic districts in a manner that, if removed in the future, would not impact or affect historic building materials, the integrity of historic buildings, or the surrounding site or neighborhood. In addition to the Secretary of the Interior’s Standards for the Treatment of Historic Properties, property owners and design professionals should follow the general principles outlined below. • Size - the dimensions of a building or structure • Scale - the proportional relationship between the size of the building and its different elements • Massing - the overall shape and form of the building • Fenestration - the placement, style, and materials of windows and doors • Rhythm - the relationship of solids and voids, fenestration, recesses, and projections • Siting - addition should be setback from the facade or located at the rear of the existing building • Materials - the materials do not have to match but should be compatible • Context - the overall relationship of the building and project to its surroundings M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 3 3 4.1 Addition Placement For many properties, an addition to the rear or side of the historic building is the best approach to gain additional living area. A compatible addition allows the general appearance and character defining features of the historic building to be retained and preserved, especially when viewed from key public vantage points. 4.1.1 - Location of an Addition • The addition should be subordinate to the original structure. • Additions should have minimal visual impact to the existing structure. • An addition should be the same height or lower than the existing structure whenever possible. • Place an addition to the rear or below grade of the original structure whenever possible. • Consider a compatible side addition if a rear addition is not possible (Fig 4.1). 4.1.2 - Building Footprint and Lot Consistency • The footprint of the addition should be compatible with the size of the lot, yard, and setback characteristics of the neighborhood. • The location of the addition should be compatible with the character of neighboring properties. • Retain original open space at the front and sides of the existing structure. • Avoid the excessive loss of existing open space. 4.1.3 - Addition of Second Story • Second-story additions should only be considered in districts where homes were originally constructed with two stories. • When appropriate, two-story additions proposed to a one-story structure should be set back and located behind the original existing historic structure. • Second-story additions should not result in the removal of historic material or character defining features. • Second-story additions are generally not appropriate for most historic homes as they adversely impact the historic architectural integrity, character, and massing of the structure and district. P R O P E R T Y L I N E S I D E A D D I T I O N S T R E E T S E T B A C K S T R E E T R E A R A D D I T I O N P R O P E R T Y L I N E Figure 4.1: Side and Rear Residential Additions S E T B A C K Guidelines for Additions D E S I G N G U I D E L I N E S - C H A P T E R 4 3 4 4.2 Design of an Addition Additions should be designed to be compatible with the context of the historic neighborhood. Projects should consider how the new addition will impact the integrity of the existing historic building and district. In addition to contextual compatibility, the addition must differentiate in some way from the historic building to appropriately convey change and evolution over time. This visually communicates that the new addition is separate from the historic building while appearing both compatibile in scale and true to its age. 4.2.1 - Contextual Design • Additions should be recognized as new construction, while respecting key features of the historic structure and architectural characteristics of the surrounding block and neighborhood. • An addition should not project a sense of false history with replicative ornamentation; details on additions should be reflective of existing historic characteristics but remain simplified. • Additions may include characteristic features that are common to the surrounding structures and neighborhood block. 136 W 2nd St. • West 2nd Street Historic District Example of a historic one-story house with an early second floor addition. 48 N Robson Side addition and Accessory Dwelling Unit (ADU) shown on the right of this 1.5-story Craftsman. 416 E 1st Ave. • Temple Historic District The new addition, shown here on the left, respects the historic building's materials, size, scale, and proportion. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 3 5 • Massing and scale of the addition should be compatible with surrounding historic structures within the district. • At a minimum, a design should be neutral and not detract from the original character, features, scale, and context of the historic structure. 4.2.2 - Differentiation • Differentiate the new addition from the historic house by insetting the addition from the main wall plane of the historic building. • Provide a change, even if subtle, in building materials so the addition is visually distinct from the historic home. • Install trim or other architectural detailing to clearly delineate a distinction between the historic building and addition. • Use a simplified interpretation of historic designs found in the neighborhood or use a contemporary design that is compatible with historic siting, massing, and building forms found in the neighborhood. 4.2.3 - Architectural Style of Additions • Design new additions to respect the historic house’s architectural style and character- defining features. • Design additions to be compatible with the scale, massing, and rhythm of the historic building. Additions should be subordinate to the original building. • Do not mimic the historic features, but use more contemporary details, such as window moldings and door surrounds, to create interest and convey that the addition is modern construction. 4.2.4 - Addition Roofing • The roof of an addition may be the same or be distinguished from the original by an overall lower ridge height or a varied roof pitch. • New roofing material may be the same as existing or be compatible in appearance. 4.2.5 - Dormer Design • New dormers should not be constructed on the front elevation. • Dormer height should not extend above the existing ridge line (Fig 4.2). • Locate new dormers to the rear and/or the side (set back from the facade). 1123 W 2nd Pl Differentiate additions through a setback or change in height as seen above. 159 N Macdonald • West 2nd Street Historic District Differentiate additions through a setback or change in height as seen above. Figure 4.2: New Dormer D E S I G N G U I D E L I N E S - C H A P T E R 4 3 6 4.2.6 - Porch Addition • New porches should be secondary and subordinate to a historic house’s main and side elevations in terms of scale and proportions. New porches should not be constructed on the front without substantiation of prior existence. • A missing porch should be reconstructed based on documentation if available, and be in keeping with the house’s architectural style. • A new porch must be appropriate to the architectural style and building type of the historic home. 4.2.7 - Carport or Garage Addition • Design and construct new carport and garage additions using compatible materials as found on the primary house or homes within the neighborhood. • Do not extend carports beyond the front plane of the house or into the uniform setback of the neighborhood. • New carports should reflect the general roof shape of the home and conform to the uniform setback of the neighborhood. 4.3 Other Items 4.3.1 - Fences and Walls • New fences and walls should complement the historic building’s architectural style and the neighborhood’s overall historic character. 809 W Main St. • Alma Ward Meeting House Use materials in new fencing and fence gates that are compatible with the historic property. 8 0 9 W M a i n S t . U s e m a t e r i a l s i n n e w f e n c e s a n d f e n c e g a t e s t h a t a r e c o m p a t i b l e w i t h t h e p r o p e r t y 228 W 9th Pl. N A change in wall plane identifies the garage as an addition. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 3 7 • Use materials such as wood, brick, metal, or, in some cases, concrete masonry units that are compatible with the materials and scale of the property and surrounding neighborhood. • Use high-quality and long-lasting materials and avoid vinyl or plastic fencing. • Front yard fences should be limited to 3½ feet in height and should not obscure the view of the historic structure. 4.3.2 - Mechanical Equipment • Place mechanical equipment where it is not visible from the street or public right-of-way. • Place rooftop mechanical equipment on the rear roof sloped away from the street and public right-of-way. • Mechanical equipment, whether on a roof, the side of a building, or on the ground, should be screened from public view. • If mechanical equipment cannot be placed in a suitable location, use appropriate screening techniques like privacy fencing, walls, or vegetation, ensuring screening materials are compatible with the primary house and historic district. • Equipment enclosures should be painted the same color as predominantly found on the house. 4.3.3 - Solar Panels • Minimize visual impacts by locating solar panels back from the front facade on the primary building. • Avoid placing solar panels in locations that obscure characteristic architectural features and details or change the overall character of the dwelling or building. • Install solar panels on additions or detached outbuildings when possible. • Locate solar panels where they will not damage significant features or materials and install panels in such a way that they can be removed in the future. 55 N Meadow Lane • West Side-Clark Addition Locate mechanical equipment on a rear roof slope away from the street. 20 S Macdonald Mechanical equipment placed on the 1-story rear addition is not visible from the street. 206 N Lebaron • Robson Historic District The Read House, the oldest in the Robson Historic District, has mechanical equipment housed in the rear of the building, and not visible from the street. D E S I G N G U I D E L I N E S - C H A P T E R 3 3 8 THIS PAGE INTENTIONALLY LEFT BLANK 3 9 CHAPTER 5: GUIDELINES FOR NEW CONSTRUCTION 132 N Wilbur • Glenwood-Wilbur Historic District D E S I G N G U I D E L I N E S - C H A P T E R 5 4 0 Principles for New Construction • Size - the dimensions of a building or structure • Scale - the proportional relationship between the size of the building and its different elements • Massing - the overall shape and form of the building • Fenestration - the placement, style, and materials of windows and doors • Rhythm - the relationship of solids and voids, fenestration, recesses, and projections • Setback- how far a building, structure, or element is placed from a road, sidewalk, or property line • Materials - the new materials do not have to match but should be compatible with the building's context • Context - the overall relationship of the building and project to its surroundings New construction in a historic district means an entirely new building or structure, rather than an addition. The construction of any new building or structure within a historic district requires a Certificate of Appropriateness. These guidelines for new construction are not aimed at preventing change, dictating a particular architectural style, or an exact historic duplication. Rather, the guidelines aim to ensure that new buildings achieve compatibility with existing historic buildings that define the character of the historic district in which it is located. New construction in a historic district should be “of its own time.” The design should not mimic existing historic buildings and, with focus on overall design elements, can be compatible with the historic district even when more contemporary in design and construction. In addition to the Secretary of the Interior’s Standards for the Treatment of Historic Properties, property owners and design professionals should follow the general principles outlined below. Principle #1: Ensure the integrity of the historic district buildings when considering new construction. In order to preserve and maintain the historic and architectural integrity of the district, the materials, features, size, scale, proportion, and siting of any new buildings must respect and be harmonious with other structures within the historic district. The use of complementary, but differentiated, materials is the preferred way to visually differentiate new construction from original construction. Principle #2: Promote new construction design reflective of its time. New construction should be of its time and not project a sense of false history with the exact replication of features and ornamentation of past historic architectural styles. Instead, historic styles may inspire or provide identifiable design cues for additions and new construction within historic districts and landmarks. Principle #3: Use contemporary materials and design creativity for new construction. When designing new infill construction, use contemporary building materials and architectural detailing in creative ways that convey the building or structure is of new construction. New construction may incorporate abstract references to the architectural styles and property type that are also compatible within its immediate setting or neighborhood. Principle #4: Design new construction without damaging surrounding site or neighborhood. Design and undertake new construction in historic districts in a manner that if removed in the future would not impact or affect the integrity of the surrounding site or neighborhood. New construction in historic districts should be designed carefully to respect the existing patterns and context of its district with the following considerations in mind: M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 4 1 Figure 5.1 Building and Entrance Orientation Guidelines for New Construction 5.1 New Construction Design 5.1.1 - Building Height • New residential buildings should be designed with heights and massing compatible with historic buildings in the district. • Design a new building to be within the height range of the lowest and tallest heights of the buildings in the surrounding historic district. • When a new building must exceed the height of adjacent homes by one story or less, use wall articulation or setbacks in massing to provide an appropriate transition. 5.1.2 - Building Scale • Locate and proportion building features to reference similar features on historic buildings. For example, match window, porch and door to those on nearby historic buildings. 5.1.3 - Building and Entrance Orientation • Orient a new building to be compatible with historic buildings found in the block and neighborhood (Fig 5.1). • Main entrances should be placed according to the orientation of other historic buildings within the historic district. • In traditional residential neighborhoods, main entrances are often oriented to the primary street. 5.1.4 - Materials • New residential dwellings should utilize construction materials consistent with adjacent homes and those found in the historic district. • Use materials that are similar in scale, proportion, texture, and finish to existing historic structures within the district. • Variation in material type, color and texture is encouraged for new construction as long as the materials are complementary or compatible with those of adjacent homes. • Contemporary high-quality materials such as fiber cement board or simulated stone veneer may be appropriate in some locations if they are visually similar to materials found in adjacent homes. • A new residential building should use roofing materials, roof lines and roof profiles compatible in design and appearance with adjacent homes. 5.1.5 - Doors and Windows • Windows and doors are important character defining features of historic and new buildings. They provide a sense of scale and visual interest to the composition of a facade. These elements should be designed to be compatible with the surrounding context and their materials should be durable. D E S I G N G U I D E L I N E S - C H A P T E R 5 4 2 132 N Wilbur • Glenwood-Wilbur Historic District New construction, shown on the left, is compatible in scale. 727 N Grand • Evergreen Historic District The design of a new building, as shown here, should be compatible with surrounding buildings on the block. 5.2 Accessory Dwelling Units and Other Detached Buildings or Structures 5.2.1 - Location • Detached buildings and Accessory Dwelling Units (ADUs) should be located at or near the rear of the property, generally out of view from the right-of-way. • If attaching an ADU to the rear of the main house, do not remove or destroy original or historic architectural features and materials. 5.2.2 - Scale • Detached garages, accessory buildings and ADUs should be subordinate to the primary historic building in terms of scale, massing, and character. • Design the mass, form, and roof shape of a new accessory building and/or ADUs to be compatible with the primary building and surrounding historic context. 5.2.3 - Design • New accessory buildings and ADUs should use materials that are compatible in scale, proportion, texture, and finish to materials of the primary building and the surrounding buildings within the historic district. • Use simplified versions of the primary building’s features or other complementary details found in the surrounding historic district rather than duplicating exactly. 5.1.7 - Door and Window Proportions • Install doors, trim, windows, and any architectural detailing at the same proportion as those on the existing building within adjacent homes. 5.1.8 - Door and Window Design • Install windows, doors, and other features to be compatible with the historic context. • Use simplified configurations of historic doors rather than replicating a particular historic door exactly. • Maintain a similar solid-to-void ratio between window/door openings and solid wall surfaces on walls that will be visible from the street. • Select windows and doors that are similar in scale and proportion to those in the context area. Other sizes and shapes may also be acceptable. 5.1.9 - Porch Design • Keep the scale, proportion, and character of the new porch compatible with the historic structures within the district. • If houses within the district predominantly feature front porches, any new construction should also feature a functional front porch. • Use materials that are similar in scale, proportion, texture, and finish to existing porches within the district. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 4 3 131 N Pasadena • Glenwood-Wilbur Historic District The design and placement of an ADU should be compatible with, and subordinate to, the main dwelling. 5.3 Other Items 5.3.1 - Fences and Walls • New fences and walls should complement the historic building’s architectural style and the neighborhood’s overall historic character. • Use materials such as wood, brick, wrought iron or, in some cases, concrete masonry units that are compatible with the materials and scale of the property and surrounding neighborhood. • Use high-quality and long-lasting materials and avoid vinyl or plastic fencing. • Front yard fences should be limited to 3½ feet in height and should not obscure the view of the historic structure. Figure 5.2: Solar Panel Placement S O L A R P A N E L S P L A C E D O N T H E B A C K S I D E O F T H E H O M E F R O N T YA R D 5.3.2 - Mechanical Equipment • Place mechanical equipment where it is not visible from the street or public right-of-way. • Place rooftop mechanical equipment on the rear roof sloped away from the street and right-of-way. • Mechanical equipment, whether on a roof, the side of a building, or on the ground, should be screened from public view. • If mechanical equipment cannot be placed in a suitable location, use appropriate screening techniques like privacy fencing, walls, or vegetation, ensuring screening materials are compatible with the primary house and historic district. • Equipment enclosures should be painted the same color as predominantly found on the house. 5.3.3 - Solar Panels • Minimize visual impacts by locating solar panels back from the front facade on the primary building. • Avoid placing solar panels in locations that obscure characteristic architectural features and details or change the overall character of the dwelling or building. • Install solar panels on additions or detached buildings when possible. • Locate solar panels where they will not damage significant features or materials and install panels in a way that they can be removed in the future. Glenwood-Wilbur Historic District New concrete wall with breezeblock is compatible with the historic wall behind it. D E S I G N G U I D E L I N E S - C H A P T E R 5 4 4 THIS PAGE INTENTIONALLY LEFT BLANK Diving Lady • Starlite Motel CHAPTER 6: GUIDELINES FOR HISTORIC SIGNAGE D E S I G N G U I D E L I N E S - C H A P T E R 6 4 6 Following the Secretary of the Interior’s Standards for the Treatment of Historic Properties, these guidelines emphasize identifying, retaining, and preserving historic signs through routine inspection and maintenance, extending their lifespans, and avoiding future replacement. In addition, recommendations for installing new signs compatible with the character of historic buildings and streetscapes in Mesa are provided. Although these guidelines provide information to property owners, design professionals, and other decision-makers, they do not intend to substitute consultation with qualified historic sign experts and fabricators, design professionals, preservation architects, landscape architects, and/or contractors when planning and executing a rehabilitation project. Historically Designated Signs on the Mesa Historic Sign Register need to be maintained and/or repaired consistent with the Historic Preservation Board's findings and conditions of approval, and modifications are subject to the COA review process. A benefit of being listed on the Mesa Historic Sign Register is that the historic signage does not count toward the total allowable sign area for the property on which it is located. In addition to the Secretary of the Interior’s Standards for the Treatment of Historic Properties, property owners and design professionals should follow these principles in the maintenance and preservation of historic signs, as well as the design and installation of new signage. Historic Signage Preservation and Principles Historic Buckhorn Baths Motel Entry Signage Principle #1: Design signage compatible with historic building and streetscape character. Signage is an important component of a historic commercial building. Collectively, in a downtown environment, historic signs convey a sense of place, heritage and authenticity. New signs that are compatible with a commercial area’s architecture and building period also improve overall streetscape design and character and contribute to a visually appealing pedestrian environment. Principle #2: Preserve historic neon signs. Beginning in the 1920s and extending through the 1950s, neon signs made a unique contribution to the character of Art Deco and Mid-Century commercial architecture in Mesa. Many businesses, including restaurants and diners, downtown retail establishments, and motels, utilized neon signs as advertising, and often incorporated such signs as part of the building’s architectural design. Maintaining and preserving neon signs in place, or protecting and storing them for future reuse, will ensure that these significant building and streetscape elements remain a part of Mesa’s historic commercial landscape. Principle #3: Preserve historic signs. Beyond neon, typical historic sign types include painted wall signs, projecting blade signs, hanging signs, marquee signs, window lettering, awnings, roof signs, freestanding signs, and monument signs. Retention, repair, and rehabilitation is encouraged over replacement whenever feasible. Existing historic signs should be maintained in place and protected from removal or alteration that would diminish their historic character or obscure significant architectural features. When adaptive reuse or code compliance requires modifications, alterations should be minimally invasive, reversible where possible, and compatible with the historic materials, scale, proportions, and design of the existing resource. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 4 7 Guidelines for Historic Signage 6.1 About Historic Signs Traditionally, most historic commercial buildings included one or more signs, sometimes applied to a storefront window, painted on a side elevation, placed on the wall surface above the storefront, or installed as a free- standing sign on the lot. Historic signs come in a variety of shapes, sizes, and materials, including wood, metal, masonry, and neon. Historic signs contribute to the historic character of older commercial properties and districts. Mesa's Historically Designated Signs must be 50 years or older, and retain an appearance that has remained substantially the same as its historically significant period. 6.2 Signage Types Mesa’s traditional commercial districts and historic neighborhoods contain a variety of signage types. The type of sign found on a historic commercial building, including its scale, materials, color, and location, plays an important role in reinforcing the character of the building and surrounding streetscape. 6.2.1 - Awning and Canopy Signs Awnings and canopies are common features of historic commercial buildings used to provide shade over storefront windows and door openings. They also contribute to a building’s overall visual interest and design. Awnings come in either fixed or retractable formats, slope away from the storefront, and are made of fabric materials. Historically, most awnings were retractable. Canopies are typically one-story, fixed roofs constructed in metal and projecting over the storefront. In some cases, posts may support the canopy. The awning and canopy edge are common locations for signage. 6.2.2 - Wall-Mounted Signs Wall-mounted signs are ideal for retail and other businesses in high-traffic traditional commercial areas; this type of signage is easily visible for pedestrians and those traveling by car or transit. Wall-mounted signs attach to a building façade facing the street, often in a sign band just above the storefront. Passey Bond Insurance • 28 N Center St. This sign exhibits mid-20th century design elements. Milano Music Center • 38 W Main St. An example of a wall-mounted sign in Downtown Mesa. D E S I G N G U I D E L I N E S - C H A P T E R 6 4 8 6.2.3 - Projecting Signs Projecting signs, sometimes called blade signs, are perpendicular to the building façade, attached by poles, and mounted just above the storefront. Such signs feature wood, metal, and neon materials. Retain and preserve existing historic wall or projecting signs wherever feasible. Encourage the design and installation of such sign types to help enhance the streetscape environment, as well as the image and brands of local businesses. 6.2.4 - Ghost Signs Particular consideration should be given to the preservation of “ghost signs,” which are faded or partially obscured historic painted advertisements or business signs that remain visible on exterior building walls. Ghost signs are significant as surviving historic artifacts that document earlier commercial activity, community development patterns, and historic graphic design practices. Preservation treatments for ghost signs should emphasize stabilization and conservation of remaining historic paint surfaces rather than over- restoration or complete repainting, in order to retain the aged character and authenticity of the feature. Example of projecting historic signage at 28 S Macdonald. (Note: Lambs Shoe Repair sign was restored by Casa Copal in 2025) Cummins, Kellis & Petrie Insurance Hand Painted Sign Sunkist Building Warehouse F.P. Nielson & Sons Grain Silos Sign Examples of ghost signs in Mesa: M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 4 9 6.2.5 - Window Signs Window signs are attached or incorporated into commercial storefront windows or doors, and typically identify the business at the storefront level. Window signs often feature business logos and symbols, text, or some combination thereof to communicate information about a business and its services. Traditional window signs applied individual lettering to the interior or exterior glazing. Retaining and preserving historic window signs where they exist assist in communicating the building’s or business’s history. New window signs should be simple in design, cover a limited area to avoid visual clutter, and allow visibility into the storefront. 6.2.5 - Free-Standing Signs While most historic commercial buildings found in traditional pedestrian-oriented downtown districts feature building-mounted signage, free-standing signs are common for commercial buildings and districts developed in the advent of the automobile. These auto-centric signs were a common feature of roadside architecture in the early 20th century and thereafter, most often found at motels, restaurants, and gas stations. Free-standing signs may include signs projecting from poles or other structures, as well as those attached between posts. In Mesa, it is important to preserve these signage types that convey the city's significant automobile and tourism history. 6.3 Guidelines for Preservation, Rehabilitation, and Design 6.3.1 - Historic Sign Preservation and Maintenance Maintain and preserve historic signs, including ghost signs, window signs, wall-mounted, projecting signs, neon signs, and others that contribute to the historic and architectural character of Downtown Mesa and other districts and neighborhoods. • Retain and repair historic signs, parts, and structures using like or in-kind materials. • Do not repaint or paint over ghost signs to 'restore' them; if a ghost sign is deteriorating rapidly, consult with a historic sign expert and explore using a clear coat or sealant to preserve it. • Illuminate historic wall-mounted and projecting signs using gooseneck or other lighting appropriate to the sign, storefront, and building. • Reuse existing historic signage by restoring and retrofitting existing materials for updated messaging. • Retain and carefully store historic signs which cannot remain in place for future use. 6.3.2 - New Signage Design In general, create a signage plan for a historic commercial building based on any documentation and photographs of past signage types. Alternatively, base the signage plan on recommended placement, type of signage desired, and other recommendations made in this section. • New signage design must respect the building’s architectural character, scale, proportions, storefront arrangement and openings, and the overall visual environment of the streetscape. • Signs should identify the business tenant(s) using high quality graphics and materials. The Hambone Sports Bar & Grill, an example of a historic neon free-standing sign. D E S I G N G U I D E L I N E S - C H A P T E R 6 5 0 THIS PAGE INTENTIONALLY LEFT BLANK 136 W 8th Pl • Flying Acres Historic District CHAPTER 7: MESA'S HISTORIC & ARCHITECTURAL CONTEXT D E S I G N G U I D E L I N E S - C H A P T E R 7 5 2 Mesa's Historic Context Aerial view of downtown Mesa c. 1973. (Pub. Petley Studios) Aerial view c. 1968 of Mesa Community College with Southern Ave running through center. (Mesa Community College) Early irrigation canal (Pub. Everybody's Drug Co.) Understanding the significance of Mesa's historic buildings and neighborhoods requires placing them within the broader story of the community's evolution over time. Mesa's built environment reflects thousands of years of Native American occupation, the establishment of a permanent settlement by members of the Church of Jesus Christ of Latter-day Saints (LDS) in 1877-8, the growth of a prosperous agricultural community, and the city's transformation into a rapidly expanding suburban and urban center following World War II. Each period contributed distinct patterns of development that continue to shape Mesa's historic character today. Ancestral O'Odham Communities The lands that comprise present-day Mesa are culturally affiliated with the O'odham, Piipaash, and their ancestors. Ancestors of these Native American communities were the first people to live in the area now called Mesa. They flourished in these lands for millennia and their direct descendants, the O’odham people, remain here today. Between approximately 300 and 1450 CE, a complex farming society developed throughout the Salt River Valley, with large settlements, such as Sce:dagĭ Mu:val Va’aki, and an extensive network of sophisticated irrigation canals. Ancestral O'odham communities produced elaborate material culture including pottery, basketry, stone tools, and shell jewelry, and featured villages with earthen architecture and agricultural systems carefully adapted to the Sonoran Desert. These traditions of settlement, water management, and landscape stewardship established patterns that later influenced the location and development of Mesa's early LDS settlements and continue to shape the city's landscapes, neighborhoods, and sense of place today. M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 5 3 Early Lehi settlers c. 1890 (Mesa Historical Museum) Early Settlement of Mesa (1877-1883) Spanish missionaries first reached Arizona in the late 1600s, and over time the region became part of New Spain, then Mexico following independence in 1821. After the Mexican-American War and the Gadsden Purchase, present-day Arizona became part of the United States and was organized as the Territory of Arizona in 1863 before achieving statehood in 1912. Euro-American settlement in the Mesa area began soon after the creation of the Arizona Territory. In 1877, settlers directed by LDS Church leader Brigham Young established the community of Lehi along the Salt River Valley, using irrigation systems based on the canals engineered by Ancestral O’odham communities. A second group, known as the Mesa Company, established Mesa in 1878 south of Lehi. Mesa’s original townsite followed the “City of Zion” plan developed by LDS founder Joseph Smith, featuring a one-square-mile grid with wide streets, park strips, and surrounding agricultural lots. As additional settlers arrived from Utah, Mesa grew steadily and officially incorporated in 1883. Desert Farm Town (1883-1906) During the 1880s and early 1900s, Mesa developed into an agricultural center in the eastern Salt River Valley. Growth was supported by expanding irrigation systems, nearby mining activity in the Superstition Mountains, and the arrival of the Southern Pacific Railroad in 1895, which improved access to building materials and regional markets. Downtown Mesa expanded with new banks, hotels, stores, and homes, while Mesa’s population reached 722 by 1900. This period brought greater religious and cultural diversity as non-LDS settlers established Baptist and Methodist congregations. Severe droughts between 1898 and 1905 threatened agriculture and caused population decline, prompting valley residents to petition for a permanent water solution. Passage of the National Reclamation Act in 1902 authorized construction of Roosevelt Dam, which began in 1906. Several buildings from this era survive today, including the Sirrine House (1896), the Pomeroy Building (1891), and the Alhambra Hotel (1893). City of Zion Plan, History of the Church of Jesus Christ of Latter-Day Saints. Period I. History of Joseph Smith, the Prophet by Himself. Volume I (Salt Lake City: Desert Book Co., 2ed. rev., 1961) D E S I G N G U I D E L I N E S - C H A P T E R 7 5 4 1309 W 1st Pl. (Harvey Homesites, an early Mesa post-war subdivision) Downtown Mesa, 1943 (Mesa Historical Museum) Growth and Expansion (1906-1945) With the completion of the Roosevelt Dam in 1911 and increased demand for agricultural products during World War I, Mesa underwent an economic boom. By 1920, the population grew to over 3,000 residents, and new subdivisions expanded beyond the original townsite. These subdivisions featured narrower streets, concrete curbs and sidewalks, and uniform residential lots. Popular housing styles included Craftsman bungalows and Tudor, Spanish, and Pueblo Revival cottages. Mesa's population also became increasingly diverse, with growing African American, Asian, and Latino communities. Local segregation policies and customs limited housing opportunities and contributed to culturally distinct neighborhoods, including the Washington-Escobedo Heritage Neighborhood just north of the original townsite boundary. During the Great Depression, federal legislation and programs such as the National Housing Act of 1934, and the Works Progress and Public Works Administrations provided local employment while funding public buildings and infrastructure. These efforts resulted in projects such as the Post Building (Federal Building). By the start of World War II, Mesa's population reached 7,224 with new single-family Minimal Traditional and Early Ranch-style homes, and establishment of Falcon Field and Williams Air Force Base. Suburban Mesa (1945-1970s) Following World War II, Mesa experienced rapid suburban growth fueled by returning servicemen and increasing demand for housing. New subdivisions continued to spread outward from the city center and reflected postwar suburban planning trends, including larger lots, curving streets, and automobile-oriented design. Ranch-style homes became the dominant housing type, featuring open floor plans, attached carports, and garages designed for modern suburban living. Mesa experienced dramatic growth between 1950 and 1980, expanding from a population of 16,790 to more than 152,000 residents. Annexation of surrounding subdivisions transformed Mesa from a small agricultural town into a large suburban city with an increasingly expansive urban form. 5 5 Mesa's Architectural Context Example of House in Historic District The following section highlights the common residential architectural styles and building types found in Mesa's historic districts and places. An architectural style describes specific materials, roof shapes, exterior ornamentation, and architectural features associated with the style during its period of popularity. For example, Craftsman-style homes, in fashion during the first three decades of the 20th century, feature low- pitched roof shapes, deep overhanging eaves and front porches, all characteristic elements of the style. In contrast to style, a building type is a building’s overall shape, determined mainly by its ground floor plan, wall elevations, massing, and configuration of interior spaces. Architectural styles typically have associated building types, with some simple and symmetrical in shape and others more complex and asymmetrical. In some instances, a historic building may feature only some aspects of an architectural style, adapted to a building type in ways that provide a more or less modest, vernacular architectural expression. Many of Mesa's historic districts exhibit multiple architectural styles and building types that illustrate the evolution of Mesa's growth. While most buildings in the districts are single-family residences, some districts also include commercial or institutional properties. Some districts feature a cohesive building type, while others feature multiple distinct building types. It is important to assess the appropriateness of proposed modifications for both the architectural style and building type as well as for the characteristics of the district. The information that follows is intended to give general guidance on stylistic features; however, it is recommended to consult with the Mesa Historic Preservation Office to determine character-defining features on a case-by-case basis. D E S I G N G U I D E L I N E S - C H A P T E R 7 5 6 Cottage (1880-1940) Cottages are typically asymmetrical, one- to one-and- a-half-story building types with low-pitched gable roofs, prominent chimneys, and small covered porches. Popularized through architectural pattern books during the late 19th and early 20th centuries, cottages became one of the nation's most common residential forms. Their modest size, efficient floor plans, and adaptable designs made them an affordable and practical housing type for working-class families. Typical Features • One or one-and-one-half stories in height • Small- to medium-sized, emphasizing a cozy and intimate atmosphere • Frame or masonry construction • Often feature a combination of natural materials • Low-pitched gabled roof • Small covered entryway or porch • Asymmetrical building form National Folk (1850-1930) National Folk refers to a modest architectural style found in communities across the US, especially those located along railroad lines. These housing styles, mostly built with inexpensive, mass-produced materials, feature little to no ornamentation and relatively simple forms and shapes with gable fronts. Typical Features • One or two stories in height • Box-like massing with horizontal emphasis, one or two rooms deep • Rectangular, square, or L-Plan in form • Wood frame with stucco or wood siding finish • Hip or gable roof, or gable-on-hip (Dutch gable) roof forms • Flat window and door openings • Wood double-hung windows • Large front verandas supported by wood posts M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 5 7 Queen Anne (1880-1910) Popular during the Victorian era, the Queen Anne architectural style was among the most common styles in the country and is characterized by irregular shapes and complex arrangement of massing and features. The exterior of the house is often elaborate, with varied surface materials and decorative detailing, while a complex color scheme further enhances the variety of materials used. Typical Features • One or one-and-one-half stories in height • Use of decorative features to avoid the appearance of smooth exterior surfaces • Full-width/wrap-around porches with spindle work • Steeply pitched roof of irregular shape • Stained glass widows • Square or rounded towers • Decorative shingling patterns on wall surfaces Colonial Revival (1880-1955) Colonial Revival homes stem from residential architecture of New England in the 17th and 18th centuries. Colonial Revival homes in Mesa are distinguished by a general symmetry in the arrangement of their parts and restraint in ornamentation. Although popular throughout the country starting in the 1880s, the Colonial Revival architectural style began appearing in Mesa after 1915. Typical Features • One-story in height • Rectangular or L-Shaped with the long side facing the street • Symmetrical front facade with center door entry • Low-to medium-pitched gabled or hipped roof with hipped dormers • Front portico with porch columns and pediment • Entryway fan or sidelights • Double-hung windows with multiple panes • Paired windows are common D E S I G N G U I D E L I N E S - C H A P T E R 7 5 8 Craftsman (1905-1930) Originating in California and made popular through architectural pattern books during the early decades of the 20th century, Craftsman houses emphasized hand craftsmanship, natural materials, and simplicity in design and ornamentation. Popular for smaller houses, this architectural style adapted readily to the bungalow building type. Typical Features • One to one-and-one-half stories • Rectangular, square, or L-Shaped in form • Frame, brick, or stucco construction, often in combination • Deep overhanging eaves • Roof rafter tails or knee brackets • Gabled roof forms • Square or tapered porch columns or posts • Double-hung windows with divided light upper sash Mission Revival (1890-1940) The Mission Revival architectural style, drawn from the inspiration of Catholic missions, was popular in the early 20th century and spread eastward from California under the influence of well-known architects and national builder magazines. Mission Revival houses in Mesa typically feature stucco wall surfaces and their curved decorative parapets are the main identifying feature. Typical Features • Square or rectangular floor plan • Curved, decorative roof parapet • One-story full or partial width porches, some with arched openings • Symmetrical or asymmetrical facade • Double-hung windows • Smooth stucco wall surface M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 5 9 Bungalow (1905-1935) A Bungalow is a small, typically one-story building type with a covered front porch. In the early 1900s, the Bungalow garnered an enormous following among the middle class because of its simple and practical style. Popular in Mesa from 1910-1940, bungalows typically feature gently sloping gable or hip roofs with wide overhanging eaves and exposed rafters or roof beams. Porches typically have tapered wood columns on brick piers. Typical Features • One to one-and-one-half stories • Box-like massing • Gable end typically faces street • Wood, brick, or stucco wall surfaces • Medium-pitched hipped or gabled roof, often with dormers • Deep overhanging eaves • Prominent, covered front porch Pueblo Revival (1910-present) The Pueblo Revival architectural style, derived from late 18th and early 19th century Southwest Pueblo of the Rio Grande Valley, New Mexico, and northern Arizona, blends aspects of both Native American pueblos and structures built by Spanish colonists in Mexico. Pueblo Revival style homes were built in Mesa during the late 1920s through the modern-era. Typical Features • One story with rectangular asymmetrical facade and stepped massing • Flat roofs sometimes concealed behind irregular plastered parapets • Front entry porches with tile roofs • Adobe or stucco construction or wall finish • Squared window openings with casement or double-hung windows • Little to no wall surface ornamentation • Decorative elements like exposed log beams, hewn timber beams, post and lintels, and water scuppers D E S I G N G U I D E L I N E S - C H A P T E R 7 6 0 Spanish Revival (1915-1940) Popular during the 1920s and 1930s and common in California and the American Southwest, the Spanish Revival architectural style stems from an interest in the region's heritage, including its historic links to Spain, Mexico, and Native American cultures. Spanish Revival is characterized by stucco walls; tile roofs; arched window, door, and porch openings; and asymmetrical facades. Spanish Revival homes incorporate a number of architectural elements and ornamentation from different Spanish architectural traditions emanating from Moorish influence. Typical Features • One to two stories in height • Rectangular and asymmetrical floor plans • Stucco wall surfaces • Low-pitched, Spanish tile roofs • Round towers in some examples • Arched door or window openings Tudor/English Cottage Revival (1915-1940) Noted for its steeply pitched gables and roof forms, the Tudor Revival architectural style became popular in the United States during the 1920s and is loosely based on late medieval English prototypes. A variant of the Tudor Revival is the English Cottage, which typically features an asymmetrical floor plan with plain wall surfaces and cross-gabled roof forms. Typical Features • One story and rectangular or L-Shape in form • Steeply pitched and cross-gabled roof forms with multiple front-facing gables or one dominant gable • False half-timbering and arched fenestration openings • Multi-pane windows, sometimes tall and narrow and arranged in groups • Large chimney stacks • Small portals or vestibules rather than large front porches International Style (1925-present) The International Style evolved in Europe as a rejection of ornament and previous architectural styles. Principally used for office buildings, residential dwellings designed in this architectural style feature smooth concrete or stucco wall surfaces devoid of ornamentation, narrow bands of steel casement windows, flat roofs with parapets, and, in some cases, projecting canopies, especially over entries. Typical Features • One to two stories in height • Rectangular or asymmetrical in form • Smooth wall surfaces of concrete or stucco • Narrow window bands, or floor-ceiling windows in some cases • Flat roofs and canopies, sometimes overhanging or projecting M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 6 1 Streamline Moderne (1920-1950) Popular during the 1920s and 1930s, the Streamline Moderne architectural style features smooth and rounded wall surfaces, mostly in stucco but also in brick. While less common in residential dwellings, Streamline Moderne was a popular style used for transportation facilities such as bus and airport terminals, car garages and dealerships. Streamline Moderne was a departure from the more decorative Art Deco style of the same time period. Typical Features • One to two stories in height • Horizontal orientation • Stucco or brick wall surfaces • Flat roofs • Smooth asymmetrical facades often curved walls • Steel casement and glass block windows • Round porthole windows Minimal Traditional (1935-1950) The Minimal Traditional architectural style emerged in the U.S. during the late 1930s and became popular in the 1940s and 1950s. The house type was a response to economic and social conditions of the time, particularly the shortage of materials and labor during World War II and the subsequent housing demand for returning veterans and their families. The Minimal Traditional style is characterized by its simplicity, efficiency and compactness. Typical Features • One story in height • Small size • Rectangular form • Stucco, wood, or brick wall surfaces • Minimal ornamentation • Basic materials • Functional floor plans D E S I G N G U I D E L I N E S - C H A P T E R 7 6 2 Early Ranch (1935 -1955) The Early Ranch or Transitional Ranch building type evolved from the earlier Bungalow and Cottage building types common during the Great Depression. Early Ranch homes provided an affordable housing option for many people both before and after World War II and set the stage for the subsequent evolution and popularity of the Ranch-type home in the United States. Typical Features • One story, rectangular or L-shaped form • Low-pitched gable or hip roofs • Small wood framed porches occurring over the entry or the juncture of the intersecting roofs • Square or rectangular windows/doors • Metal-framed windows with small window panes • Corner or bay windows M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 6 3 Ranch (1935-1975) The Ranch home is a single-story building type with a low-pitched roof and rectilinear or elongated form. Ranch homes open layouts, functional design, and affordability made them an attractive choice for middle-class families looking to settle in expanding suburbs. Over time, the Ranch became a symbol of American suburban living, embodying a blend of practicality, simplicity and connection to the landscape. Typical Features • Single-story with a horizontal orientation • Rectangular or L-shaped • Wood frame, brick, or stucco wall surfaces • Long, low roof lines • Low-pitched roof, sometimes cross-gabled • Off-center front door entry, often recessed • Steel casement windows and picture windows, often with multiple lights • Attached garage or carport • Minimal embellishments and symmetrical designs Prairie Ranch (1935-1975) Prairie Ranches are meant to blend in with flat, open landscapes, spreading out horizontally across large lots, rather than building upwards. Prairie-Ranch houses, a subtype of the Ranch building type, often have flat or minimally pitched roof lines with overhanging eaves, and low profile exteriors composed of flat lines and planes. They are composed of materials with roots in the natural world, including wood, stucco, stone, and rustic brick. Typical Features • Single-story with a horizontal orientation • Rectangular or L-shaped with broadside to the street • Low-pitched hip or modified hip roof with broad overhanging eaves. • Decorative elements to create door surrounds include sidelights, planters, and low walls • Craft-style front doors and corner windows • Often lacks a defined front porch D E S I G N G U I D E L I N E S - C H A P T E R 7 6 4 Rambling Ranch (1945-1975) Rambling Ranch homes, also known as sprawling Ranch homes, represent a unique subtype of the Ranch building type that gained popularity in the mid-20th century. The term "rambling" aptly describes the sprawling nature of these homes. They typically feature a single-story design with a long, horizontal footprint that stretches across the property. Rambling Ranch homes, mostly found in Fraser Fields in Mesa, are often nestled on large lots, allowing for expansive outdoor spaces and landscaping opportunities. Typical Features • Long, horizontal building footprint • Expansive windows, picture windows common • Low-pitched roof line • Multiple outdoor spaces • Combination of materials Mid-Century Modern (1945-1975) Mid-century Modern architecture is characterized by clean, minimalist design, the use of diverse materials and a lack of ornamentation in favor of geometric shapes and angles. This architectural style, prevalent in Mesa, was used in both commercial and residential construction and gained prominence in the post World War II era when demand for new construction was high and architects began exploring the use of new materials like steel, concrete and insulated glass. The style heavily influenced Mesa's development. Typical Features • Angular or curved roof forms • Use of breeze block • Decorative brick grills • Masonry with stacked bonds • Off-center entries • Frame, brick, or stucco wall surfaces Polynesian Ranch (1955-1975) Polynesian Ranch homes, a subtype of the Ranch building type, are rare mid-century variations blending the low, horizontal layout of classic ranch houses with tropical-inspired design elements adapted for the desert climate. Influences came from postwar fascination with Hawaii, Polynesian pop culture, and resort architecture. Typical Features • Low-pitched or dramatically extended rooflines with deep overhangs and exposed beam gable accents • Dominant hip roof with dramatic front-facing gables or outward angled side-facing gables • Exposed beams and tongue-and-groove ceilings • Lava rock, breeze block, or rough stone accents • Courtyard-style entries and indoor-outdoor living spaces • Large picture windows facing patios or pools • Tropical landscaping mixed with desert plants • Decorative tiki or island-inspired details M E S A H I S T O R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 6 5 Classic Ranch/California Ranch (1945-1965) The California Ranch, subtype of the Ranch building type, is characterized by an L- or U-shaped structure built low to the ground. This sprawling, single-story style is designed to blend with nature. A patio and front lawn are key features of the California Ranch style. Typical Features • One story, elongated rectangular or L-shaped • Variety of low-pitched roof types including gable, hip, or intersecting gables and/or hips • Minimal porch, usually in the form of an extended eave, with or without posts over the junction of the two wings • Attached carport or garage • Steel casement windows with no trim D E S I G N G U I D E L I N E S - C H A P T E R 7 6 6 166 W Main St. • Downtown Mesa M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 6 7 APPENDIX APPENDIX A - CITY OF MESA HISTORIC PRESERVATION PROGRAM APPENDIX B - CERTIFICATE OF APPROPRIATENESS REVIEW STANDARDS APPENDIX C - CHARACTER DEFINING FEATURES APPENDIX D - HISTORIC DISTRICTS & HISTORIC LANDMARKS APPENDIX E - HERITAGE NEIGHBORHOODS & OTHER HERITAGE PLACES Mesa’s local historic preservation efforts trace back to the 1960s when a group of local citizens formed the Mesa Historical and Archaeological Society, an organization that helped establish the Mesa Museum of Archaeology and History in 1978, now the Arizona Museum of Natural History. However, it was not until 1993, following advocacy from concerned citizens, that the Mesa City Council adopted the community’s first historic preservation ordinance, establishing procedures for designating landmarks and historic districts, as well as reviewing permit applications for exterior design changes and building demolitions. In 1995, Mesa became a Certified Local Government (CLG) through the National Park Service of the U.S. Department of the Interior, allowing the City of Mesa to participate in federally funded grant and technical assistance opportunities. Today, the City of Mesa Historic Preservation Office administers the local historic preservation program in conjunction with the Historic Preservation Board (HPB). The HPB, comprised of seven appointed members, makes recommendations to the Planning and Zoning Board, the Design Review Board, and the Mesa City Council on various preservation- related matters. Mesa’s Historic Preservation Office has grown to include staff support for local and National Register designation of historic properties and Heritage Neighborhood recognition, assistance with regulatory compliance, preservation of Mesa's cultural heritage, and programs for the enhancement of public knowledge, understanding, and appreciation of the City's rich history. Historic Districts & Historic Landmarks Historic Districts and Historic Landmarks within the City of Mesa can be listed on the National Register, locally designated, or both. Both National and local designation can be used as effective preservation planning tools, either independently or together, to help preserve a community’s historic resources and character. The City of Mesa Historic Preservation Office maintains the Mesa Historic Property Register, which includes all historic property designations in the City and is made available to the public. Local historic preservation is the process of protecting significant areas or buildings in a community through local laws and organizations. Most legal power to protect historic places rests with local government. In Mesa, locally designated historic resources meet criteria for significance outlined within the Mesa Zoning Ordinance and may be subject to review by the Historic Preservation Office and/or Historic Preservation Board. The National Register of Historic Places is the official list of the nation's historic sites worthy of preservation, authorized by the National Historic Preservation Act of 1966. Managed by the National Park Service, it is part of a national program to coordinate and support public and private efforts to identify, evaluate, and protect America's historic and archaeological resources. Appendix A - City of Mesa Historic Preservation Program City of Mesa Historic Preservation Board & City Staff (2024) D E S I G N G U I D E L I N E S - A P P E N D I X A 6 8 Heritage Neighborhood Recognition The City of Mesa Heritage Neighborhood Recognition Program was created to help recognize and give status to neighborhoods in Mesa that have a unique history that do not have historic district designation. This honorary recognition does not impose additional regulations, but Heritage Neighborhood areas may be within other types of zoning districts with specific standards and review criteria. The Washington-Escobedo Neighborhood and the Lehi Neighborhood are Mesa’s only Heritage Neighborhoods. More information on this program and neighborhood history can be found in Appendix E and on the Mesa Historic Preservation Office website. Historic & Cultural Resource Surveys Many times, significant buildings, structures, objects, sites, and districts are identified through historic property or cultural resource survey. These surveys identify potential historic and cultural resources, explore historic context, and may evaluate eligibility for listing in the Mesa Historic Property Register and/or the National Register of Historic Places. To date, surveys administered by the City's Historic Preservation Office have inventoried more than 3,000 properties. The National Register includes districts, sites, buildings, structures, and objects significant in American history, architecture, archaeology, engineering, and culture. Nominations are submitted by public agencies, private individuals, organizations, and local governments. A professional review board in each state evaluates nominations and makes recommendations. Listing on the National Register of Historic Places is honorific and generally does not restrict the use or disposition of a historic resource, unless the property is federally owned or involved in a federal undertaking. National Register listing may make available state and federal financial and technical assistance programs to property owners. Neon Garden at the Post, 26 N Macdonald View south of Temple Historic District M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 6 9 Regulatory Compliance Mesa's Historic Preservation Office supports the City of Mesa in complying with local, state and federal laws governing historic properties and cultural resources. Some examples of this work include issuance of Certificates of Appropriateness (COA) for local historic districts or landmarks, reviews required under the National Historic Preservation Act (NHPA), and archaeological assessments for projects on land owned or controlled by the City, where appropriate. Preserving Mesa's Cultural Heritage Mesa's cultural heritage includes not only standing buildings and structures, but also archaeological sites, cultural landscapes, traditional cultural places, and other resources that may exist above or below ground. Mesa is home to hundreds of archaeological and cultural sites that represent thousands of years of history and many stories. Projects should be sensitive to the potential presence of these resources, are encouraged to coordinate with qualified professionals, descendant communities, Tribal Historic Preservation Offices, the State Historic Preservation Office, and Mesa's City Archaeologist, and must comply with applicable local, state, and federal laws and regulations governing cultural resources. To learn more about the protection of cultural resources, please contact the Mesa Historic Preservation Office. Sharing Community History The Historic Preservation program promotes awareness of Mesa’s architectural and cultural heritage, collaborates with residents and business owners to preserve this history, and fosters civic pride, ensuring that future generations can appreciate and understand Mesa’s unique cultural legacy. Mesa's Historic Preservation program includes public outreach in the form of monthly Historic Preservation Board meetings, community meetings, presentations, walking tours, and more. Each May, during Historic Preservation Month, school-aged Mesa residents are asked to showcase their visual and language arts skills for the HP Student Essay & Visual Arts Contest. To see past year's submissions click here. Supporting Preservation for the Future Historic preservation plays a crucial role in shaping vibrant, sustainable communities. By protecting and revitalizing historic buildings, neighborhoods, and cultural landmarks, cities maintain a tangible connection to their identity and heritage, while fostering community pride and a sense of place. Preservation encourages adaptive reuse, transforming older structures into functional spaces like housing, offices, or cultural centers. Saving these historic resources reduces environmental impact when compared to new construction. Historic preservation can also support local economies by encouraging tourism, attracting investment, increasing property values, and strengthening neighborhood character. Revitalized historic districts often become hubs of small businesses, arts, and culture, attracting both locals and visitors alike. D E S I G N G U I D E L I N E S - A P P E N D I X A 7 0 Additional Resources & Learning Mesa Historic Preservation Office www.mesaaz.gov/hp Arizona State Historic Preservation Office www.azstateparks.com/SHPO National Park Service, National Register of Historic Places www.nps.gov/subjects/nationalregister National Park Service, Technical Briefs www.nps.gov/tps/how-to-preserve/briefs Mesa Room at the Main Library www.mesalibrary.org/research/mesa-room Mesa Historical Museum www.mesahistoricalmuseum.com Mesa Preservation Foundation www.mesapreservation.org Arizona Preservation Foundation www.azpreservation.org Advisory Council on Historic Preservation www.achp.gov Student award winners, their teacher, and winning art entry at the 2026 Historic Preservation Month Celebration. Historic Homes of Mesa Walking Tour (2024) Historic Preservation Officer, Matthew Kriegl, presenting at PreserveAZ Conference in Phoenix (2025) M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 7 1 The Secretary of the Interior's Standards for Rehabilitation The Mesa Zoning Ordinance requires COA decisions to be based on compliance with the Secretary of the Interior’s Standards for Rehabilitation, in conjunction with the guidance provided in these Design Guidelines. 1. A property shall be used for its historic purpose or be placed in a new use that requires minimal change to the defining characteristics of the building and its site and environment. 2. The historic character of a property shall be retained and preserved. The removal of historic materials or alteration of features and spaces that characterize a property shall be avoided. 3. Each property shall be recognized as a physical record of its time, place, and use. Changes that create a false sense of historical development, such as adding conjectural features or architectural elements from other buildings, shall not be undertaken. 4. Most properties change over time; those changes that have acquired historic significance in their own right shall be retained and preserved. 5. Distinctive features, finishes, and construction techniques or examples of craftsmanship that characterize a historic property shall be preserved. 6. Deteriorated historic features shall be repaired rather than replaced. Where the severity of deterioration requires replacement of a distinctive feature, the new feature shall match the old in design, color, texture, and other visual qualities and, where possible, materials. Replacement of missing features shall be substantiated by documentary, physical, or pictorial evidence. 7. Chemical or physical treatments, such as sandblasting, that cause damage to historic materials shall not be used. The surface cleaning of structures, if appropriate, shall be undertaken using the gentlest means possible. 8. Significant archeological resources affected by a project shall be protected and preserved. If such resources must be disturbed, mitigation measures shall be undertaken. 9. New additions, exterior alterations, or related new construction shall not destroy historic materials that characterize the property. The new work shall be differentiated from the old and shall be compatible with the massing, size, scale, and architectural features to protect the historic integrity of the property and its environment. 10. New additions and adjacent or related new construction shall be undertaken in such a manner that if removed in the future, the essential form and integrity of the historic property and its environment would be unimpaired. Appendix B - COA Review Standards D E S I G N G U I D E L I N E S - A P P E N D I X B 7 2 Standards for Demolition A. The Building Official, in consultation with the Historic Preservation Officer and the City Manager, determines that the Historic Resource presents an imminent hazard to the public safety, and that repair or renovation would be impractical; or B. The Historic Preservation Board determines that both of the following are found: i. The building(s), structure(s), object(s), archaeological resource(s), or site(s) have minimal historic significance because of its location, conditions, modifications, or other factors; and ii. Demolition of the building(s), structure(s), object(s), archaeological resource(s), or site(s) would not have an adverse impact on the preservation of historic properties in the vicinity. M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 7 3 Foundations Foundations support and stabilize a house and usually include a footing below ground and a stem wall above it. The stem wall rises from the ground and supports the exterior walls, usually stopping at the first floor. Foundations may be made of concrete, brick, or stone, and some homes have little or no footing at all. In Mesa, some even include basements, which is uncommon in much of Arizona. Exterior Walls The exterior walls of a historic residence often combine traditional siding materials with layered construction techniques that may include shiplap beneath or as part of the structural system, providing a tight, interlocking wooden barrier against weather. This type of construction reflects earlier craftsmanship, where durability and material efficiency were essential to protecting the home from sun, wind, and seasonal moisture. It is important to maintain these exterior walls, including any original shiplap. Articulation Articulation refers to the way a building’s massing, form, and structural components are expressed to create depth, rhythm, and visual organization. This includes the composition of volumes, setbacks, projections, entrances, window groupings, roof forms, and the relationship between horizontal and vertical elements. Preserving historic articulation is important because it maintains the building’s original scale and proportions. Retaining historic articulation helps preserve the integrity of the resource and the streetscape character. Additions to historic buildings should be compatible through complementary massing, scale, and proportion. New additions should remain visually subordinate to the historic structure while using transitions, setbacks, and clearly defined forms to distinguish new construction from the original building without disrupting its historic character. Roof/Roofing Roofs are are visually prominent elements of houses. In Mesa, roof types vary greatly depending on the historic styles. One may find materials such as wood shingles, clay tiles, metal, asphalt shingles, and rolled-on built-up roofing. Each roof type and material requires individual care and maintenance. The watertightness of a roof also is essential in maintaining the house's physical condition. Masonry Many historic homes in Mesa were comprised of masonry construction, usually brick, stone, adobe, concrete, concrete block, terra cotta, hollow clay tiles, or concrete masonry units (CMUs), which are standardized pre-cast concrete blocks commonly used in structural and decorative construction. Breeze blocks were also commonly incorporated into Ranch and Modern-era buildings to provide shade, ventilation, privacy, and visual texture. In general, masonry walls of historic houses were not originally painted except in some examples of Period Revival and Ranch styles. It is not appropriate to paint previously unpainted masonry. Stucco The use of stucco on masonry and wood frame walls is very common in Mesa, especially on bungalows and Period Revival houses. The terms "stucco" and "plaster" are used interchangeably in common usage. However, "stucco" actually refers to a trowel-applied, non- structural exterior plaster made primarily of cement. Adobe Historic adobe homes in Mesa reflect the region’s early desert architecture, using thick sun-dried mud brick walls to keep interiors cool during intense Arizona heat. Many of these homes, especially those connected to early farming communities and pioneer settlements, showcase Southwestern craftsmanship and preserve an important part of Mesa’s cultural heritage. Appendix C - Character Defining Features Definitions of Character Defining Features of a Building D E S I G N G U I D E L I N E S - A P P E N D I X C 7 4 Wood Historic wood siding reflects early building practices in which locally available timber was used to protect structures from sun and seasonal weather while providing an economical and easily repairable exterior material. In many older neighborhoods, wood siding was preferred over stucco or masonry because individual boards could be replaced without extensive reconstruction. Common siding types include clapboard (lap), shingle, and board-and-batten siding, where thin vertical wood strips, or battens, cover the seams between wider boards to create strong vertical articulation, shadow lines, and texture on the building exterior. The “reveal,” or visible space between adjacent rows of siding, is an important aspect of historic wood cladding. Chimneys A chimney is an architectural structure built to vent smoke and heat from fireplaces, stoves, or furnaces. Historic chimneys often feature traditional materials such as brick, stone, or adobe and help reflect the construction styles and daily life of a community’s past. Windows and Doors Historic buildings contain a variety of window and door types and materials that reflect the city’s architectural development from the late nineteenth through the mid-twentieth century. Common window types include double-hung wood sash windows, casement windows, steel-framed industrial and Modern-style windows, fixed picture windows, and grouped horizontal windows. Historic doors similarly vary by architectural style and period, including paneled wood doors, glazed entry doors, recessed entries, and decorative screen or storm doors common in residential neighborhoods. Original materials were typically wood or steel, selected for their durability and compatibility with regional architectural traditions. The size, proportions, glazing patterns, and placement of windows and doors contribute significantly to the historic character and articulation of buildings within Mesa’s historic districts and historic landmarks. Retention and repair of original materials and configurations are encouraged, while replacements should match the historic openings, profiles, and overall visual character of the structure. Porches Porches help to define the character of a house's historic style. As important elements of architectural design they should be retained and maintained. Awnings and Shades Shade is a precious commodity in Mesa, Arizona. In the early years of settlement, Vernacular houses were built with deep porches and canvas awnings to help keep them cool. With local trends in housing turning more toward nationally popular architectural styles and with the advent of evaporative cooling in the 1930s, the porches and awnings began to disappear. Awnings were predominantly relegated to commercial structures. Landscaping Early Mesa was promoted as a green oasis in the desert, supported by canal irrigation that brought water to homes. Many residents planted lawns, trees, and flowers to recreate the look of Midwestern neighborhoods, even though desert plants would have used less water. Over time, they relied on flood irrigation and non-native plants, creating the lush, grassy yards still seen in older neighborhoods today. This landscaping remains a key part of Mesa’s historic neighborhood character. Porte-Cocheres and Carports Many historic homes include features like porte- cocheres or carports as key parts of their design. Craftsman houses often feature porte-cocheres along with prominent rooflines and porches that define their look. Later Ranch-style homes may include attached carports instead. These features are usually integrated into the building and designed to match the home’s overall style and details. Painting Virtually every historic house has features which were painted, stained, or varnished to protect them from deterioration from weathering. Occasional exterior stucco may have been colored with pigment additives rather than having been painted. The stucco of some bungalows may have even been purposefully left a natural cement color as an aesthetic expression and as a low maintenance surface needing no paint. Brick and stone are traditionally left unpainted to allow proper function of these materials. M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 7 5 DESIGNATED HISTORIC DISTRICTS IN MESA 1. Glenwood-Wilbur Street Historic District (MHPR and NRHP) 2. West 2nd Street Historic District (MHPR and NRHP) 3. Evergreen Historic District (MHPR and NRHP) 4. Temple Historic District (MHPR and NRHP) 5. Robson Historic District (MHPR and NRHP) 6. West Side-Clark Addition Historic District (MHPR and NRHP) 7. Flying Acres Local Historic District (MHPR) 8. Fraser Fields Historic District (MHPR and NRHP) Local Designation: Mesa Historic Property Register (MHPR) National Designation: National Register of Historic Places (NRHP) Appendix D - Historic Districts & Historic Landmarks Historic Districts A historic district is a geographically defined area of buildings, structures, or sites that are recognized for their collective historical, cultural, or architectural significance. Historic districts are often characterized by their distinctive architectural styles or building types and shared historical context, reflecting the heritage and development of a community. Mesa is home to eight designated historic districts. All eight of these historic districts are listed on the Mesa Historic Properties Register (MHPR) and seven are also listed on the National Register of Historic Places (NRHP). Historic districts help preserve the character of neighborhoods, promote awareness of local history, encourage appropriate improvements, enhance property values, and foster a sense of community pride. Listing on the NRHP is honorary and may provide access to certain preservation incentives. Properties designated on the MHPR are within Historic Preservation Overlays which ensure exterior alterations, additions, and new construction are compatible with the historic district through the Certificate of Appropriateness (COA) review process. 7 6 D E S I G N G U I D E L I N E S - A P P E N D I X D N 1 3 0 N . P A S A D E N A 1 5 9 S . M E S A D R . 1 3 6 W . T H I R D P L . Map 1: Mesa Local Historic Districts and National Register Historic Districts M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 7 7 The Glenwood-Wilbur Historic District represents the early 20th century development of the original Mesa Townsite from large lots to subdivisions with smaller single-family residences. Platted between 1919 and 1922, the district is an example of Mesa's transition from a rural, agricultural community to a more urban center. This area encompasses four north-south streets, including N Pasadena, N Hibbert, N Wilbur Street, and Pomeroy Street, and is bounded on the north and south by Second Street and First Street. Architectural Styles and Building Types: Over time, the area developed into a cohesive neighborhood of middle- and working-class families and showcases a diverse mix of architectural styles common during the first half of the 20th century in Arizona. Reflecting over forty years of continuous development, prominent architectural styles and building types found mixed throughout the neighborhood include: • modest National Folk • Bungalows (pre-WWI & Craftsman style) • Period Revival (including Tudor and Pueblo) • Ranch Development Pattern and Streetscape: The district, primarily composed of residential buildings and mature landscaping, illustrates Mesa's transition from its 19th century "City of Zion" plan to the more compact suburban subdivision patterns of the early 20th century. Wide streets and square blocks associated with the original settlement, like along Hibbert and Pomeroy, were gradually supplemented by the narrower auto- centric streets, and smaller residential lots along Pasadena and Wilbur. Glenwood-Wilbur Historic District HISTORIC DESIGNATION Mesa Local Historic District: Designated 1996 National Register Historic District: Listed 1999 Period of Significance 1883-1948 7 8 1 5 5 N . P A S A D E N A 1 0 6 N . H I B B E R T A N G U L A R H O S T E T T L E R H O U S E - 1 5 0 N . W I L B U R Map 2: Glenwood-Wilbur Historic District Historic District Buildings in the Historic District L E G E N D N M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 7 9 The West Second Street Historic District is the oldest and most architecturally diverse historic district in Mesa. This district is significant not only for its rich architectural variety but also for its historical association with the development of Mesa’s prominent middle- and upper-class families during the early 1900s. Encompassing portions of five blocks from the original townsite, the district showcases refined architectural styles and iconic landscaping elements. The area includes four north-south streets, Robson, Macdonald, Drew, and Center, and two east-west streets, Second Street and First Street. Architectural Styles and Building Types: The West Second Street Historic District features a diverse and eclectic array of architectural styles and building types that reflect over four decades of development. Represented architectural styles and building types in the neighborhood include: • National Folk or Vernacular style • Bungalows • High-style Period Revival homes (including Mission and Colonial) • Ranch houses on the fringes Development Pattern and Streetscape: Unlike the formal replatting of entire blocks into residential subdivisions, the original "City of Zion" garden blocks in this district were divided into individual lots through gradual lot splits. This process allowed for a more organic, incremental development of the area. A defining feature of the district is its wide public rights-of-way, which were improved and narrowed through the introduction of tree-lined, grassy medians. These landscaped medians are significant character- defining elements that contribute to the district's unique charm. West 2nd Street Historic District HISTORIC DESIGNATION Mesa Local Historic District: Designated 2001 National Register Historic: Listed 1999/Amended 2003 Period of Significance 1883-1959 8 0 1 3 0 W . 2 N D S T. 2 0 3 N . M A C D O N A L D L E G E N D Historic District Buildings in the Historic District 2 3 8 N . C E N T E R S T . Map 3: West 2nd Street Historic District N M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 8 1 The Evergreen Historic District comprises subdivisions that were platted beyond Mesa's original townsite. This expansion reflects a series of national economic trends in the first half of the 20th century, including expanding access to public utilities, a short-lived surge in development following WWI, and the boom of post-WWII population growth in the area. The Evergreen Historic District exemplifies one of the first neighborhoods that thrived beyond the original townsite boundary. Its varied architectural styles and subdivision layout are characteristic of rapid expansion in Mesa, and the broader region at this time. Architectural Styles and Building Types: Houses within the Evergreen Historic District were advertised as an exclusive and "beautiful new addition" to the town of Mesa. Reflective of changing development trends, the architectural styles and building types are varied and include: • National Folk or Vernacular style • Bungalows • Period Revival (including Tudor, Spanish Colonial, Pueblo, and Colonial) • Ranch Development Pattern and Streetscape: When first developed, the Evergreen Historic District emphasized graded streets, water and gas connections, and surrounding agricultural land which gave the subdivision a "natural park" setting. The neighborhood aimed to create an exclusive community, enforcing deed restrictions, minimum setbacks, prohibitions on certain businesses such as saloons, blacksmiths, stables, and stores, and restricted property ownership to "only white Americans." Evergreen Historic District HISTORIC DESIGNATION Mesa Local Historic District: Designated 1999 National Register Historic District: Listed 1999/Amended 2018 Period of Significance 1910-1948 8 2 6 5 6 N . G R A N D 6 2 5 N . R O B S O N L E G E N D Historic District Buildings in the Historic District Map 4: Evergreen Historic District N M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 8 3 . The Temple Historic District is composed of three north-south streets, including Mesa Drive, Udall Street, and Lesueur Street, and is bordered by Main Street to the north and Broadway Road to the south. The district contains two early residential subdivisions, the Arizona Temple Addition, platted in 1922, and the Stapley Addition, platted in 1924. The prominent 1927 Arizona Temple of the Church of Jesus Christ of the Latter-Day Saints, after which the district is named, played a pivotal role in the area’s expansion, sparking the sale of lots and the construction of homes. The two early subdivisions contributed to the distinct development patterns still visible today, with First Avenue designed as a formal, tree-lined boulevard leading directly to the temple, and the other streets designed to be narrower for efficient and high-density housing options. Architectural Styles and Building Types: The materials and architectural details of the homes in the district differ between the Arizona Temple Addition and Stapley Addition portions of the neighborhood. Homes in the Arizona Temple Addition, particularly along First Avenue, tend to be larger and more elaborate, while the homes in the Stapley Addition are smaller and more modest, with simpler massing and detailing. These varied architectural styles and building types within the district include: • early Bungalows • National Folk • Tudor Revival • Minimal Traditional • Transitional/Early Ranch • Ranch Development Pattern and Streetscape: First Avenue’s formal, tree-lined boulevard leads directly to the LDS Temple, creating a visual axis that underscores the Temple’s prominence and district’s historic character. Homes built along First Avenue were considered prestigious and feature dense, mature greenery. In contrast, the other streets in the district reflect a more efficient approach to land subdivision, with long, rectangular blocks that have open and sparsely vegetated landscapes. Temple Historic District HISTORIC DESIGNATION Mesa Local Historic District: Designated 2001 National Register Historic: Listed 2000 Period of Significance 1910-1949 8 4 4 1 6 E . 1 S T A V E . 5 2 S . L E S U E U R 2 1 9 S . U D A L L L E G E N D Historic District Buildings in the Historic District Map 5: Temple Historic District N E . M A I N S T. M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 8 5 The Robson Historic District is roughly bound by University Drive on the north, Second Street on the south, Country Club Drive on the west, and Robson Street on the east. The district exemplifies the early to mid-20th century growth and transformation of the original Mesa Townsite. The district highlights the shift from large garden lots, typical of the original Mormon settlement, to smaller, more densely developed parcels to accommodate the city’s growing population. Demonstrated by its irregular lot sizes, varied layout of its residential parcels, and by the evolution of its architectural styles, the Robson Historic District stands out as one of the clearest examples of informal development through lot splits. The district is primarily composed of residential buildings, with some commercial properties on the northern, western and southern boundaries. Architectural Styles and Building Types: The sixty-year history of residential development and architectural styles of Mesa is reflected at a neighborhood scale in the Robson Historic District where changes in the popularity of architectural styles coincides with regional development booms. Examples of nationally popular styles of the time are found mixed throughout the district and include: • early Bungalows • Period Revival (including Tudor and Colonial) • some National Folk • Minimal Traditional • Ranch Development Pattern and Streetscape: The Robson Historic District encompasses blocks originally platted as part of the 1883 Mesa townsite. As the community expanded, many of these original blocks were subdivided into smaller parcels and following the completion of Mesa’s master plat in 1930, the remaining larger lots were also split. Over time, many of the district's earliest homes were demolished and replaced, leading to a mix of architectural styles and construction dates. This gradual, informal development process gives the district its eclectic character, blending older structures with newer ones. The landscaping in the Robson Historic District is minimal and modest and exhibits a visual rhythm with shallow front yards and simple green lawn spaces. The district is typically less dense and lush when compared to other surrounding historic neighborhoods. Robson Historic District HISTORIC DESIGNATION Mesa Local Historic District: Designated 2001 National Register Historic: District Listed 2003 Period of Significance 1911-1959 8 6 Map 6: Robson Historic District 2 2 6 N . R O B S O N 2 3 5 N . L E B A R O N 2 5 8 W . 2 N D S T. L E G E N D Historic District Buildings in the Historic District N M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 8 7 The West Side-Clark Addition Historic District represents the first residential area to be developed outside the western boundary of Mesa’s original townsite. Once a large agricultural property, the district is now bordered by University Drive (formerly Fourth Street) on the north, East Main Street on the south, Country Club Drive (formerly Mesa Drive) on the east, and Date Street on the west. Four single-family residential subdivisions, platted between 1930 and 1947, as well as a post-war townhouse subdivision, platted in 1973, comprise the district. Specific development trends in these subdivisions govern the appearance of the West Side- Clark Addition Historic District. The pre-World War II subdivisions, in the north, contain the oldest houses while the two later subdivisions, platted after World War II, represent the era of rapid construction and population expansion that characterized much of west Mesa. The 1973 townhouse subdivision reflects more recent infilling of vacant land within the expanded city limits. Architectural Styles and Building Types: The West Side-Clark Historic District showcases suburban planning approaches and architectural styles common in the region from the 1930s through the late 1950s. The district is primarly composed of middle-income, single-family housing. Stylistic characteristics differ between its northern and southern portions, highlighting the contrasting development patterns of pre- and post-war subdivisions. The mixture of architectural styles and building types in the district include: • predominantly Ranch (including Early Ranch, Classic Ranch) • few early Bungalows • few Minimal Traditional • few Period Revival (Tudor and Spanish Colonial) Development Pattern and Streetscape: The vast majority of the district is laid out with long, narrow blocks on straight streets oriented to the points of the compass. The streetscapes are formed by regularly spaced, small, one-story houses on equal-sized lots with narrow frontage. Three of the early subdivisions have tree lawns or parkways with sidewalks buffered from the street. When subdividied, the district did not retain flood irrigation; however, many homes still retain mature evergreen or deciduous trees and palms, as well as hedges, shrubs, and lawns. West Side-Clark Addition Historic District HISTORIC DESIGNATION Mesa Local Historic District: Designated 2017 National Register Historic: District Listed 2010 Period of Significance 1930-1958 8 8 Map 7: West Side-Clark Addition Historic District Map W. 2 N D P L . W. 3 R D ST. C L A R K ST. N. DATE ST. N. COUNTRY CLUB DR. W. 1 ST ST. W. P E P P E R P L . W. M A I N ST. 5 3 6 W . 2 N D P L . 5 0 8 W . C L A R K S T. 5 3 3 W . 1 S T S T . L E G E N D Historic District Buildings in the Historic District N M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 8 9 Flying Acres Historic District exemplifies post-war, twentieth-century suburban development in Mesa. The district is bounded by Grand Street on the west, Macdonald Street (formerly Orangewood Road) on the east and encompasses W. 8th Place (formerly Mountview Drive, a.k.a. Mountainview Drive) and W. 9th Street (formerly Echelon Drive). Flying Acres was subdivided in 1946 from about 5.5 acres of land owned by Jake L. Wilk Jr., former training and operations officer at Williams Field, and his wife, Vivian Mae Wilk. At the time of subdivision, there were three already constructed homes on the land. The majority of the new subdivision consisted of ranch style homes on almost symmetrical lots facing north or south on the two east-west streets (W 8th Pl and W 9th St). Architectural Styles and Building Types: Flying Acres rapidly filled with ranch styles houses, with most constructed in 1950 and 1953. The district characterizes population expansion and technological advances after the war. Represented building types and architectural styles include: • few International Style • Ranch • Early/Transitional Ranch • Styled Ranch (including French, Colonial, Tudor, and Polynesian influences) Development Pattern and Streetscape: The Flying Acres subdivision was recorded in November of 1946 and was subdivided into 36 almost symmetrical lots with the help of civil engineer, W.T. Keplinger. The name, Flying Acres, was undoubtedly connected to Major Jake Wilk’s connection to Williams Field and it is likely that the early street names (Echelon and Mountainview Drive) reflect Wilk’s profession as well. The streetscape of the Flying Acres district is synonymous with other post-war neighborhoods constructed in the region at this time. Unlike Mesa’s original townsite, Flying Acres did not employ parkways. Rather, sidewalks were integrated directly with the curbs and gutters. The growing importance of the car is also represented by visually prominent driveways, garages, and carports. When subdivided, the landscape likely included young trees, but over time, the neighborhood’s vegetation has matured. Today, front yards vary between grass lawns and gravel; much of the district, however, is surrounded by scrubs, plantings, and mature trees of pine, palm, mesquite and deciduous varieties, which together create a wide canopy of shade across the streetscape. Flying Acres Historic District HISTORIC DESIGNATION Mesa Local Historic District: Designated 2018 Period of Significance 1940-1957 9 0 E V E R G R E E N H I STO R I C D I ST R I CT 1 2 3 W . 8 T H P L . 1 3 8 W . 9 T H S T. 1 3 6 W . 8 T H P L . L E G E N D Historic District Buildings in the Historic District Map 8: Flying Acres Historic District N M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 9 1 Fraser Fields Historic District is a well-preserved example of an upper middle-class ranch-style community, developed on farmland outside of the Mesa townsite after World War II. The district consists primarily of one residential subdivision, platted in 1946, and encompasses an internalized loop street layout. Fraser Fields is bounded by University Drive (formerly Fourth Street) to the north, East Main Street (formerly Apache Trail) to the south, Miller Drive to the east, and Horne Drive to the west. Initially designed as an exclusive residential area, Fraser Fields featured large lots and a mix of multi- family dwellings placed strategically to buffer the neighborhood from surrounding commercial zones and major streets. The homes feature expansive façades, large steel casement windows, and generous lawns. The district is home to varied architectural materials, from painted concrete masonry units (CMU) to fired adobe, and a variety of Ranch style homes, epitomizing thoughtful craftsmanship and architectural diversity. Architectural Styles and Building Types: Developed in the 17 years following World War II, most residences in Fraser Fields are one-story, expansive Ranch Style homes positioned prominently at the front and center of their lots, with single- or double-carports at one end. Many homes in the historic district have maintained their original character due to the generous size of the houses and ample backyard space. Represented homes in the district include: • Early/Transitional Ranch • Classic/California Ranch • Styled Ranch (including Spanish influences) • Rambling Ranch • few Minimal Traditional multi-family residences Development Pattern and Streetscape: Fraser Fields was originally purchased by Hyrum Smith Phelps in the early 1900s. He built the first house where "Bill Johnson’s Big Apple" restaurant now stands. Hyrum later sold the land to Dr. Jack Fraser, who eventually sold it to Passey Investment Corporation. It was subdivided in 1946 as Fraser Fields. The Mesa Journal Tribune advertised it as "Mesa’s Most Exclusive Subdivision." The 80-acre development featured lots at least two-thirds of an acre in size—almost double the average city lot. These lots had at least 100 feet of street frontage and were 128 feet deep. Fraser Fields represents the first major subdivision in Mesa designed for affluent and middle-class families moving from the city center to the suburban outskirts. The streetscape is a character- defining feature of the district with its secluded loop street layout, uniform setbacks, and flood irrigation system that enables the growth of mature trees and broad green lawns. Fraser Fields Historic District HISTORIC DESIGNATION Mesa Local Historic District: Designated 2003 National Register Historic: District Listed 2010 Period of Significance 1946-1962 9 2 Map 9: Fraser Fields Historic District 2 2 4 N . F R A S E R D R . 2 3 8 N . F R A S E R D R . W 8 5 5 W 2 N D S T . L E G E N D Historic District Buildings in the Historic District N M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 9 3 Historic Landmarks A historical landmark is an individual building, structure, site, or object that is recognized for its outstanding historical, cultural, or architectural significance. Unlike historic districts which are significant based on collective context, historic landmarks are considered significant individually, and therefore are independently designated. Generally, properties must be at least 50 years old and meet certain criteria to be eligible for designation as a Historic Landmark. For local designation, this criteria is based on the Mesa Zoning Ordinance, while National Register listing is based on criteria outlined in the National Historic Preservation Act of 1966. Mesa is home to twenty-seven landmarks with historic designation, and many more considered eligible but not yet designated. Thirteen of the twenty-seven historic landmarks are listed on the Mesa Historic Property Register (MHPR), four exist on both the MHPR and the National Register of Historic Places (NRHP), and fourteen of the historic landmarks are only listed on the NRHP. It is important to note that several of the NRHP listed properties are located within historic districts on the MHPR. Listing on the NRHP is honorary and may provide access to certain preservation incentives. Properties designated on the MHPR, whether in a district or listed individually, are within Historic Preservation Overlays which ensure exterior alterations, additions, and new construction are compatible with the historic district through the Certificate of Appropriateness (COA) review process. 9 4 D E S I G N G U I D E L I N E S - A P P E N D I X D LOCALLY DESIGNATED HISTORIC LANDMARKS Mesa's locally designated historic landmarks listed on the Mesa Historic Property Register include the following*: 1. Alma Ward Meeting House (809 West Main Street) 2. Federal Building (26 North Macdonald) 3. First United Methodist Church (15 East 1st Avenue) 4. Irving School (155 North Center Street) 5. Isley (Phil) House (412 North Macdonald) 6. James Macdonald House (307 East 1st Street) 7. Larkin Fitch Farmhouse (945 North Center Street) 8. Lehi School (2345 North Horne) 9. Mesa Public Library/Information Technology (IT) Building (59 East 1st Street) 10. Mt. Calvary Baptist Church (430 North Lewis) 11. Nile Theater (105 West Main Street) 12. Ponderosa II (602 South Edgewater Drive) 13. Ramon Mendoza House (126 North Pomeroy) * bolded landmarks are also listed on the National Register of Historic Places NATIONAL REGISTER LISTED PROPERTIES Mesa's historic properties listed on the National Register of Historic Places include the following*: 1. Alhambra Hotel (43 South Macdonald) 2. Alma Ward Meeting House (809 West Main Street) 3. Angulo-Hostetter House (150 North Wilbur) 4. Buckhorn Baths Motel (5900 East Main Street) 5. Dr. Lucius Charles Alston House (453 North Pima) 6. Falcon Field World War II Aviation Hangars (4800 East Falcon Drive) 7. Irving School (155 North Center Street) 8. Lehi School (2345 North Horne) 9. Sce:dagĭ Mu:val Va’aki (formerly Mesa Grande) (Address Restricted) 10. Mesa Journal-Tribune FHA Demonstration Home (238 West 2nd Street) 11. Mesa Woman’s Club (200 North Macdonald) 12. Park of the Canals (North Horne from Utah Ditch to Mesa-Consolidated Canal) 13. Ponderosa II (602 South Edgewater Drive) 14. Robert Scott House (2230 East Grandview Street) 15. Strauch Fuller House (148 North Macdonald) 16. Spangler-Wilbur House (128 North Macdonald) 17. Sirrine House (160 North Center Street) 18. Williams Air Force Base (Multiple Resources) * bolded properties are listed on the Mesa Historic Property Register, either individually or within one of Mesa's locally designated historic districts Certain properties may be listed on both the NRHP and the MHPR, while others may only be on one register. Only properties listed on the MHPR, either individually or within a district, will require a Certificate of Appropriateness prior to commencing a project. However, property owners making modifications to properties listed only on the NRHP are encouraged to follow best practices and work with the Mesa Historic Preservation Office. 9 5 The Alma Ward Meeting House was constructed c. 1908 to serve an influx of Mormon families settling along nearby Alma School Road, in the area known as “Stringtown.” For nearly 50 years, the property functioned as a place of worship and a locus for civic and social events for Mormon and non-Mormon community members alike. In 1937, the Meeting House was enlarged, removing its original Mission Revival-style façade and subsequently redesigned in the Colonial Revival Style seen today. By 1953, the ward’s congregation had grown and was relocated to a new chapel. The property has exchanged ownership several times since, occupied by the Producers Life Insurance Company, Mesa Community College’s first campus, and various dining establishments such as Rouch’s Schoolhouse Restaurant, later renamed the Landmark Restaurant. The building's surroundings have evolved with the growth of the City, changing from a sparsely developed rural area on the town’s outskirts to its present environment characterized by busy arterial streets and multiple commercial and residential building types. Alma Ward Meeting House (809 West Main Street) HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 2004 National Register of Historic Places: Designated 2006 Construction Date: c. 1908-1911/1937 Mission Revivial façade c. 1911 (Mesa Historical Museum) Post-1937 expansion c. 1940s (Mesa Historical Museum) Rouch's c. 1970s (Mesa Preservation Foundation) Alma Ward Meeting House, view NW from S Extension Rd (2025) 9 6 D E S I G N G U I D E L I N E S - A P P E N D I X D HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 2004 Construction Date: 1936-1937/1960 The Federal Building was built as the post office in 1936-1937, as part of the Works Progress Administration program. The original one-story building was constructed in the Federal Moderne style and became one of the finest buildings in the City upon its completion. In 1960, a two-story addition and loading dock was added on its southern end. Despite the expansion, the post office moved operations to a new location on North Center c. 1970. The building housed offices for various federal agencies until it was granted to the City of Mesa in 2002. In 2018, Mesa voters approved a $7.4 million bond issue to convert the building into a dynamic community event space called The Post. The update preserved many architectural features of the building in the new design. Federal Building (26 North Macdonald) The Post, view W from N Macdonald (2025) Post Office after 1960 addition (Arizona Museum of Natural History) Post Office prior to 1960 (Mesa Preservation Foundation) M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 9 7 The First United Methodist Church holds the distinction as being Mesa's longest continuously operating church, with the congregation in existence since the late 1800s. The church was designed by Martin Ray Young, Jr, who, in 1948, was the first architect to establish a practice in Mesa. Young designed more than 1600 projects in his career. The church’s 120-foot steeple has been a part of downtown Mesa’s skyline since it was constructed in the early 1950s. The church presently on the Historic Landmark site followed two no longer extant structures, including a c. 1895 one-room brick building with gothic-revival detailing and a 1913 Spanish Colonial style church. Today, the Historic Landmark site includes the sanctuary and steeple, Stewart Chapel, and the bell tower atop the columbarium (mausoleum), which was moved to its present location from the no longer extant 1913 church. First United Methodist Church (15 East 1st Avenue) HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 2014 Construction Date: 1951 Image of c. 1895 one-room church (First United Methodist Church) Image of 1913 Church (First United Methodist Church) First United Methodist Church, view SW from E 1st Ave (2025) 9 8 D E S I G N G U I D E L I N E S - A P P E N D I X D Irving School (155 North Center Street) The Irving School is remarkable for its unique blend of the institutional Federal Moderne Style with the residential Ranch Style, both popular yet divergent architectural expressions during its time of construction in 1936. The building was funded through the Public Works Administration and is one of the surviving examples of Federal depression era public works in Mesa. The school, named after American writer Washington Irving, was designed by the Lescher and Mahoney architectural firm, a prominent Phoenix architectural firm that specialized in the design of school buildings. It was built on the site of the “North School,” which operated from 1899 to c. 1935. The City of Mesa purchased the property in 1976 and it later became known as the Mesa Arts Center with a newly renovated auditorium for the Mesa Children’s Theater. Today, the historic school is home to Mesa Public Schools’ Creative and Performing Arts Center. HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 1998 National Register of Historic Places: Designated 2000 Construction Date: 1936 Irving School, n.d. (Arizona Museum of Natural History) Historic Irving School, view SE from N Center (2024) Old North School prior to demolition (Mesa Historical Museum) M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 9 9 The "Phil Isley" house was constructed in 1922 and was originally located at 643 East Main Street. It is a classic example of a brick, craftsman bungalow. A motel was built on the original site in the 1940s, with the house serving as the office. In 2005, the house was purchased and moved to its current location (412 North Macdonald) within the Evergreen Historic District. The house sits on a flag lot and is not visible from Macdonald. Phil Isley (1886-1962) played an important role in Mesa's history. He served as president of the Lions Club, the Hiram Club, and the Mesa Chamber of Commerce. Throughout his career, he was the Maricopa County Treasurer, served on the Maricopa County Board of Supervisors, and was a member of Arizona's State Legislature. Isley (Phil) House (412 North Macdonald) HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 2016 Construction Date: 1922/relocated in 2005 Isley House prior to its relocation in 2005 100 D E S I G N G U I D E L I N E S - A P P E N D I X D Built between 1916 and 1918, this two-story vernacular building was home to early Mesa pioneer, James Macdonald. Macdonald worked as a police officer, farmer, and builder and was the son of Alexander Findlay Macdonald, Mesa’s first mayor. James assisted in the construction of the Arizona LDS Temple in 1919. The MacDonald family occupied the house through the mid-1940s. In the late 1990s, the house was purchased by Diane Hughes and her husband, Darwin, who restored it into a wedding venue, known as the “Antique Wedding House.” Today, the property continues to host wedding celebrations in this historically rich home. James Macdonald House (307 East 1st Street) HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 1998 Construction Date: 1916-1918 James Macdonald House, view S from E 1st St. (2024) Macdonald House following restoration c. late 1990s Macdonald brothers, James is on far right (Mesa Historical Museum) M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 101 The Fitch Farmhouse was built in 1933 and originally sat on over 400 acres of farmland owned by Larkin Fitch. The Fitch Farmhouse is an example of a Tudor Revival style house which includes a second story sleeping porch constructed with adobe bricks. The property is one of the few remaining examples of Mesa’s agricultural heritage along North Center Street. Over the years, the extensive agricultural land in this area has been replaced with residential, commercial, and industrial developments. Larkin Fitch played a prominent role in Mesa’s farming industry and was the president of the Mesa Farm Bureau and served as a member of the Council and Board of Directors of the Salt River Project. Fitch began his farming career on a small piece of land north of Baseline Road and went on to raise sheep for 20 years at the Fitch Farm, with as many as 1,200 ewes. The Fitch family donated part of the original farmland to the City of Mesa for a portion of Fitch Park. Larkin Fitch Farmhouse (945 North Center Street) HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 2010 Construction Date: 1933 East elevation of Fitch Farmhouse (2024) South elevation of Fitch Farmhouse (2024) Fitch Farm and Farmhouse, view SE from N Center St., in 2001 102 D E S I G N G U I D E L I N E S - A P P E N D I X D The Lehi School is built on land donated to the Lehi community in the 1880s by early settler Henry C. Rogers’ family. The main school building was constructed in 1913 and exhibits a mixture of Neoclassical and Mission Revival styles. The school replaced an earlier one-room adobe schoolhouse, a replica of which can be found in the front of the existing building. The 1913 school was expanded in the 1920’s with the addition of two new classrooms and during the Great Depression, the Works Progress Administration made additional improvements, including the addition of the auditorium and annex building. Despite improvements over the years, the school was condemned by the Mesa School District in 1976 and slated for destruction. The City of Mesa purchased the site and resold it to the Mesa Historical Society in 1986, who repurposed the building as a museum. The property still operates as the Mesa Historical Museum and in 2025 the auditorium was renovated to house the Arizona Baseball Museum. Lehi School (2345 North Horne) HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 2001 National Register of Historic Places: Designated 2001 Construction Date: 1913/1939 Mesa Historical Museum, Lehi School (2024) M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 103 Built as a library for a growing city in 1959, this landmark is one of several midcentury modern municipal buildings that comprise a portion of Mesa’s City Center. The building was designed by the local architectural firm of Horlbeck, Hickman and Associates, a firm active in the Valley following World War II. The building retains many of its original features including a floating terrazzo stairway, hanging light fixtures, decorative breeze blocks along exterior walls, and a portion of its distinctive wave-shaped concrete covered walkways. By 1979, Mesa’s population had expanded to 140,000 and a new, bigger library space was needed. The library moved to 64 East 1st Street in 1981, and shortly after, the former library building was remodeled and converted into the City’s Information Technology Building. Today, it is part of Arizona State University's (ASU) Media and Immersive eXperience (MIX) Center, known as 'The Studios.' Mesa Public Library / IT Building (59 East 1st Street) HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 2013 Construction Date: 1959 Mesa Public Library building c. 1960 The Studios at Mesa City Center, following renovation (2024) The building prior to renovation as The Studios (2021) 104 D E S I G N G U I D E L I N E S - A P P E N D I X D The Mount Calvary Baptist Church was built in 1961 and is the oldest predominantly Black Church in Mesa. The church is located within the Washington-Escobedo Heritage Neighborhood and is significant for its association with the early settlement of Mesa by African Americans and the church’s long-standing influence on the neighborhood and City. The church was initially established as a mission and was led by traveling missionaries. Prior to formally organizing as a church, the congregation met under a tree in the front yard of the late Clara McPherson, wife and mother of the first Black family to reside in Mesa. Over its long history, the Mount Calvary Baptist Church occupied several locations and in 2006 relocated to Broadway Road. Today, the property is used by the Calvary Korean Community Church. Mt. Calvary Baptist Church (430 North Lewis) HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 2002 Construction Date: 1961 Mt. Calvary Baptist Church, view W from N Lewis (2024) M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 105 • • HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 2023 Construction Date: 1924 The Nile Theater was built in 1924 and served as Mesa's first movie house. The building was constructed by George A. Johnson, who utilized locally kilned Lehi brick. When it first opened, the theater was state- of-the-art with an early air-cooling system, a large central stage, sloped floor seating, and Art Deco design influences with Egyptian motifs. The theater played a crucial role in inspiring the construction of other theaters in the Valley, including the Orpheum Theater in Phoenix, which was constructed four years after The Nile. A renovation of the façade was completed in 2018-2019 to reveal some of the building’s original architectural features including its brick exterior walls, glazed storefront, and historic windows. The Nile now operates as a music venue with a coffee shop, preserving an important piece of Mesa’s architectural history. The Nile Theater (105 West Main Street) The Nile following 2018-2019 façade renovation (2024) The Nile Theater in 1924 (Arizona Republican, Sept. 1, 1924) Interior of the Nile in 1924 (Arizona Republican, Sept. 1, 1924) 106 D E S I G N G U I D E L I N E S - A P P E N D I X D Ponderosa II (602 South Edgewater Drive) The Ponderosa II House was built in 1962-1963 as a seasonal residence for actor Lorne Greene, who played Ben Cartwright, the patriarch of the Cartwright family in the popular 1960s TV series “Bonanza.” It was designed to closely replicate the fictional Ponderosa ranch house, thus its name Ponderosa II. The house is located on a prominent lot adjacent to the community’s golf course and is one of the most elaborate Ranch homes in Mesa. It is a highly stylized Ranch, evoking Old West design in the form of board-and-batten, wood railing, and decorative wagon wheels. The Ponderosa II was the first home built in the former Apache Country Club Estates subdivision, now referred to as Golden Hills and Arizona Golf Resort, and was the flagship home used in promoting land sales and new home construction. HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 2014 National Register of Historic Places: Designated 2018 Construction Date: 1962-1963 The Ponderosa II, view N from S Edgewater Dr. (2024) Set for Bonanza showing the model Ponderosa Ponderosa II builder, Nick Donato (left), his wife Iris (center), and Lorne Greene An example of one of the western-themed plans available to purchasers of homes in the Apache Country Club Estates (ACCE sales brochure, 1963). M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 107 Photograph of Ramon G. Mendoza (date unknown) Mendoza's father, Ramon S. Mendoza, on Police Department in 1924 Ramon Mendoza House, view SW from N Pomeroy (2024) The Ramon Mendoza House was the home of Ramon G. Mendoza, Mesa's first Hispanic Chief of Police. The adobe home, adjacent to the Wilbur Historic District, was built by Manuel Flores in 1942. The property was acquired by Mendoza in 1946 where he resided until his death in 1999. Mendoza was born in Mesa in 1914, the son of early settler and former Mesa police officer Ramon S. Mendoza. Ramon G. Mendoza grew up in a time when segregation was still commonplace in Mesa. He attended the Webster School, a segregated school built for Mexican American children, and later graduated from Mesa High School in 1932. Mendoza became a police officer in 1942, was appointed Police Chief in 1969, and served in this capacity until his retirement in 1978. He served on the force for a total of 36 years. During his time with the Mesa Police Department, he attended the FBI Academy in Washington, D.C. and under his tenure the department became computerized, installed a closed-circuit camera system in the jail, built a new police headquarters, and brought police dogs on the force. Chief Mendoza was an active volunteer, supporting the Cubs Spring Training, the Mesa Chamber of Commerce, and the Sister Cities program. HISTORIC DESIGNATION Mesa Local Historic Landmark: Designated 2001 Construction Date: 1942 Ramon Mendoza House (126 North Pomeroy) 108 D E S I G N G U I D E L I N E S - A P P E N D I X D Mesa Historic Property Register www.mesaaz.gov/mhpr Mesa Historic Preservation Office www.mesaaz.gov/hp National Park Service, National Register of Historic Places www.nps.gov/subjects/nationalregister Mesa Room at the Main Library www.mesalibrary.org/research/mesa-room Mesa Historical Museum www.mesahistoricalmuseum.com Mesa Preservation Foundation www.mesapreservation.org To learn more about Mesa's history and historical landmarks and districts, please visit: 109 Mesa's Cultural Heritage C o n c r e t e s i d e w a l k s s t a m p s f r o m 1 9 2 0 r e m a i n i n t h e G l e n w o o d - W i l b u r H i s t o r i c D i s t r i c t . 2 7 0 1 N . M e s a D r . ( T h i s s t o n e h o u s e r e f l e c t s t h e a g r i c u l t u r a l a n d c u l t u r a l h e r i t a g e o f t h e L e h i n e i g h b o r h o o d ) Appendix E - Heritage Neighborhoods & Other Heritage Places 110 D E S I G N G U I D E L I N E S - A P P E N D I X E 4 3 0 N . L e w i s , M t . C a l v a r y B a p t i s t C h u r c h i n t h e W a s h i n g t o n - E s c o b e d o H e r i t a g e N e i g h b o r h o o d 1 4 8 N . M a c d o n a l d ( T h i s h i s t o r i c c a r r i a g e s t e p i n t h e W e s t 2 n d S t r e e t H i s t o r i c D i s t r i c t r e p r e s e n t s M e s a ' s e a r l y h e r i t a g e ) Heritage Neighborhood Recognition Program M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 1 1 1 Washington-Escobedo Heritage Neighborhood 1 1 2 D E S I G N G U I D E L I N E S - A P P E N D I X E E . 6 T H ST. E . U NI VE R ST I Y D R . E . 5 T H ST. N. SI R R I NE ST. N. L E W I S ST. N. PI M A ST. N. PASAD E NA ST. N. H I BBE RT ST. N. C E NT E R ST. N. M E SA D R . M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 1 1 3 5 0 1 N . L e w i s , W a s h i n g t o n - E s c o b e d o C o m m u n i t y G a r d e n 1 1 4 D E S I G N G U I D E L I N E S - A P P E N D I X D Lehi Neighborhood 2 3 4 5 N . H O R N E , 1 9 1 3 - 1 9 3 9 , L E H I S C H O O L H I S T O R I C O U T B U I L D I N G I N T H E L E H I N E I G H B O R H O O D L A T E 1 9 T H C E N T U R Y B U I L D I N G I N T H E L E H I N E I G H B O R H O O D M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 1 15 Map 3.1:Lehi Neighborhood Map 9 2 4 E . L E H I R O A D ( O L D P O S T O F F I C E O N L E F T W I T H R E S I D E N T I A L A D D I T I O N ) 1 1 0 1 E . L E H I R O A D L E G E N D N Heritage District Buildings in the Heritage District 116 D E S I G N G U I D E L I N E S - A P P E N D I X E 2 3 0 8 N . H o r n e , B i g g s H o u s e i n t h e L e h i n e i g h b o r h o o d M E S A H I S TO R I C P R E S E R VAT I O N D E S I G N G U I D E L I N E S 1 1 7 H I S T O R I C P R E S E R V A T I O N D E S I G N G U I D E L I N E S